Showing posts with label Chris Hemsworth. Show all posts
Showing posts with label Chris Hemsworth. Show all posts

Thursday, 26 April 2018

Avengers Infinity War Film Review



Aboard The Grandmaster's spaceship Thanos and his henchman, The Children of Thanos, have slaughtered the remaining Asgardians fleeing from a destroyed Asgard. He has traced Loki there, who is in possession of the Tesseract which contains the Space Stone, one of six stones Thanos needs to wield the Infinity Gauntlet. Thanos kills Loki after imprisoning Thor and defeating the Hulk, but a dying Heimdall manages to open the Bifrost one last time to send The Hulk back to Earth. He lands at the Sanctum Sanctorum in New York City where he warns Doctor Strange and Wong about Thanos' impending arrival. Back in space Thanos destroys the ship using the Power Stone hurtling Thor through space, but he is saved by the Guardians of the Galaxy who received a distress call from the ship. Knowing that Thanos already has two of the stones the separate groups go about trying to stop the increasingly powerful villain from obtaining the others in order to disintegrate half the universe.


With such a large amount of characters to deal with there was always going to be some that featured less prominently than others, but for the most part the film balances them well. The film partciulary excels at grouping them into several sub-plots as to allow specific characters to bounce off each other.


Robert Downey Jr. is as solid as ever as the playboy genius Iron Man, and is paired well with the very similar Benedict Cumberbatch's Doctor Strange. They are joined by the enthusiastic yet naive Peter Parker. Tom Holland can do no wrong, and is particularly strong in one of the films closing scenes; his character a perfect balance to the hardened thespians of the franchise.


I found Chris Hemsworth's Thor to have become uncharacteristically funnier, in the same manner of those aforementioned, in his previous film Thor: Ragnorak and was concerned that trend would continue here. The beginning of the film sees Thor suffer a terrible loss and which could have easily seen him transformed into a dour character to deal with, which is again perfectly rectified by having him joined by The Guardians of the Galaxy, particularly Rocket and Groot, to counteract this with their funny banter. Their humour doesn't always fit in with the rest of the Avengers, though, with both Drax and Mantis finding little to do.


Gamora, on the other hand, is extremely instrumental to the film, with Thanos's daughter providing some much needed pathos to the villains motivations. He's surprisingly likeable as a villain because of this, although ultimately he's world destruction agenda still falls flat despite an attempt to character a relatable backstory for the troubled family.

Back on Earth, Paul Bettany and Elisabeth Olsen's Vision and Scarlet Witch are the most focused on characters, due to Mind Stone being his life source. Their relationship has never felt understandable to me, so it's a hard sell here, but it's hard to care too much when longtime fans can't help but get excited when the Avengers and constantly reuniting with long separated friends (I'm looking at you, Steve Rogers with that impressive beard), or even meeting each other for the first time.


The only real problem the film has, as it has been for majority of Marvel's phase two films, is that believable and the motivation behind a lot of the characters actions. The franchise has been running for ten years, so fans gain a greater sense of what they think characters will do, and when they don't it becomes difficult to believe. Loki, God of Mischief has escaped death numerous times, so his demise here - trying to foolishly stab Thanos - is annoying (as is the fact that if he hadn't stolen the Tesseract from a collapsing Asgard none of this would have happened). Despite knowing where the Soul Stone is and asking Quinn to kill her so Thanos can't get it, Gamora not only tells Thanos where is it after her sister Nebula is tortured, but she foolishly doesn't realise Thanos's plan to kill her to get the stone until too late. The moment The Children of Thanos come to Earth to retrieve the Mind Stone from Vision he knows the solution is to kill himself for the greater good, yet Scarlet Witch only agrees to this until it's too late. The most ridiculous of all is Stephen Strange giving Thanos the Time Stone in exchange for Tony Stark's life, a man who he's just met and openly expresses that he doesn't like, the only understandable explanation being that when he calculated the future possibilities the only one in which they win featured Tony playing a significant role, which is why he would save him. One understands that quickly addressing these dilemmas significantly shortens and changes the story, but that doesn't make them any less frustrating.

The movie is fast-paced, has high-stakes, and is surprisingly emotional amongst the abundance of action, while still managing to retain its humour. While it is the longest-running Marvel film to date, fans of the franchise will not notice its longevity in the slightest, and in fact while be left wanting a lot more due to its cliffhanger ending.

Rating: 4/5

Friday, 20 July 2012

Snow White and the Huntsman Review


When Snow White's (Kristen Stewart) mother, the Queen Eleanor of Tabor, dies, her father King Magnus (Noah Huntley) goes into a deep depression. During this time he is forced to confront an army that threatens his kingdom. After the dark army, consisting of glass soldiers, is defeated the King and his men discover a prisoner, Ravenna (Charlize Theron), amongst their ruins. Instantly enchanted, Magnus marries her the next day. On their wedding night Ravenna reveals herself as a sorceress, who, after been spurned by powerful men in the past, kills the King and takes his Kingdom. As Ravennas guards storm the castle Snow White tries to escape with Duke Hammond (Vincent Regan) and his son William (Sam Calfin), but she is captured by Ravenna's brother Finn (Sam Spruell), and locked away in a tower in the castle.

Many years later, Ravenna continues to maintain her youthful beauty through using her dark magic to drain youth out of young women. When Snow White comes of age, Ravenna learns from her Magic Mirror that Snow White is destined to destroy her unless Ravenna consumes the young girl's heart which will make her immortal. She sends Finn to retrieve her, and she escapes the castle into the dark forest Ravenna asks Eric (Chris Hemsworth), a widower huntsman who has survived the dark forest, to return her to the kingdom in exchange for Ravenna using her powers to bring back his dead wife, to which he agrees.

The main problem with the film stems from the fact the story of Snow White has become so familiar to audiences that even with significant changes, the basic plot remains the same, making for dull viewing. Naturally, the huntsman discovers Ravenna's offer to be baseless and he helps Snow White on her journey through the dark forest, and other enchanted lands, before leading her to Hammond castle to find an army that will help stop Ravenna. While the film looks beautiful and the special effects are stunning, especially where Ravenna and the Magic Mirror are involved, they do little to enhance the tedious plot. Various mystical animals are thrown in to liven things up and audiences are treated with dark monsters, fairies, and yes, of course, dwarfs, but again, they all just seem unnecessary, as if they're used to fill up time.

Stewart is an adequate lead and Hemsworth brings some emotional depth to the huntsman. Theron is given the very difficult task of trying to humanise the evil Ravenna, but her character's motivation is weak and not fully developed, resulting in a lot of what are supposedly meant to be terrifying outbursts from the sorceress, which only come across as melodramatic. Similarly, the same problem occurs in Spruell's character Finn. A major staple of the story, the dwarf's, are underused and initially come off as not at all likable. While they are intended to add some much needed humour and emotion into the film, their introduction and development leaves much to be desired and they ultimately end up being quite forgettable in the scheme of the film.

Despite a solid cast, and a wonderfully dark looking world that has been created within Snow White and the Huntsman, the plot of the well-used story fails to offer anything new and exciting for audiences.

Rating: 2/5