Monday, 28 May 2012
The Woman In Black Review
Solicitor Arthur Kipps (Daniel Radcliffe) is assigned to handle the estate of Alice Drablow, who owned an English manor known as the Eel Marsh House, where she had lived with her husband, son Nathaniel, and sister Jennet Humfrye. However, upon arriving to the town in which the house is located he finds the locals hilariously inhospitable, they tell him there are no rooms in which he can take in a deserted inn, and even so far as to put his luggage on a horse and carriage and spend him back to the train station. While it all seems a bit silly, it certainly heightens intrigue, and the cast are all quite good as the scared and grieving townsfolk, particular the eerie young children (cliches work for a reason). The bleak old time English scenery also, adds a lot to the macabre feel of the film.
Audiences discover whats happening quite early in the film, with children's deaths abound in the small town to which Kipps has arrived, the link to The Woman In Black becomes painfully clear, although the promise of how things will unfold is the saving grace of this early reveal.
Kipps stays surprisingly composed throughout the film, despite the fact he is being haunted by The Woman in Black, and that he has had many sleepless nights. More of a sense of urgency might have benefited his plight, and I wish he would have stopped apologising to other characters about his worn appearance when even after running into a downpour and in other instance a fire within the film, afterwards he looked completely fine. It is hard to tell if this is the fault of Radcliffe or the writing, although he does seem too young for the part. The flaw becomes most apparent when Kipps spends all night of Eel March House, and experiences a number of traditional ghostly apparition encounter, including locked doors opening up themselves, a rocking chair moving, wind-up toys starting, and a whole bunch of candles going out etc.
While audiences become aware of The Woman In Black's story midway through the film, thanks to letters of hers that Kipp finds at Eel Marsh House (which are chillingly narrated by Liz White), the ending is still unexpected, although the idea of it is somewhat ruined by cliched sentimentality.
Rating 3/5
Sunday, 27 May 2012
Californication Season 5 Final Recap & Review (5.12: Hell Ain't a Bad Place to Be)
In bed, Hank suggests they back their bags and leave, and Karen tells him than rather than always running, he should stay there in the house with her, and wait and see what happens.
Later Hank meets with Becca, and she tells him that he has to let her make her own mistakes, and that after Tyler apologised for his behaviour she forgave him, they made love, and are now engaged. Hank is violently sick upon hearing this, but Becca tells him that just because they're engaged, it doesn't been they'll be getting married anytime soon.
At Charlie's house, Marcie tells him that Lizzie quit, and that she knows about Stu and Lizzie. Charlie is relieved and tells her he was having a trouble keeping it a secret, but she didn't actually know and tricked him to see if it was true or not. Distraught, Marcie goes to confront Stu at the studio. Saying that she is too upset too drive, Charlie offers to take her.
Hank arrives at the studio to talk too Tyler, and Stu reveals that Tyler is missing, and that Samurai has locked himself in his trailer because he has a bug up his arse about Tyler. Hank goes to talk to Samurai in his trailer, and tells him that after offering Callie a part in the film that she told him she didn't love him, and that she slept with Tyler the previous night. He tells Hank, while waving a gun around, that he now has to kill Tyler, and Hank tells him he has to let it go. He convinces Samurai to come out of his trailer and continue filming, and Hank tells Tyler that he just saved his life and as reimbursement, he wants Tyler to resend his marriage proposal to Becca and leave her alone.
Filming resumes, but when Samurai sees Tyler flirting with Callie, he pulls a gun out on him. Hank intervenes telling Samurai that he'll have to shoot him first to get to Tyler, and that he also slept with Callie. Charlie and Marcie pull up, and as Samurai goes to fire the gun at Hank, Charlie jumps in front of it, and he is shot in the arm. Marcie grabs the gun out of Samurai's hand and pistol whips Stu, telling him he'll be hearing from her divorce attorney. Callie tells Samurai that him shooting someone for her is the most single romantic thing anyone has done for her, and the pair embrace. Karen rings Hank to confirm their dinner, and asks him to get some wine.
Hank returns to Charlie's house where he finds Carrie waiting for him. She tells him she lost her job and that she's been having difficulty finding one in L.A so she thought she'd look Hank up. He says he has to leave and she asks him what Karen has that she doesn't, and if Hank ever loved her. Hank refuses to sleep with her and agrees to one drink, which he sulks. Carrie stumbles, and reveals that she shouldn't be drinking while taking the anti-depressants she's on - since Hank dumped her. Hank tries to call an ambulance, and asks her to tell him how much she has taken, to which she replies that she's taken no more than him. As he falls on to the couch Carrie tells him it'll look like they we're in love with each other when they're found together, and Hank imagines running onto Karen's front lawn on a sunny day and embracing Karen and Becca before passing out.
This episode surprised me, obviously all of the secrets that have been developing season-long had to be revealed, but I was quite entertained by the way some of them were handled, not what I would have expected, which is always good. Of course Bates is gone so now Karen and Hank can be together. Honestly, I'm no longer invested in their relationship, Karen should know better. As much as I hate Tyler, I think he plays against Hank quite well, and their scenes together are always interesting, and I like how he is compared and contrasted with a young Hank. I think he'll be back next season, there's no way he'd listen to Hank. It looks like Stu might be done for too, wish I don't know how I feel about, if Hank and Karen and Charlie and Marcie get back together it is going to make me appreiate the seasons in which they had other temporary partners less and less. I doubt Lizzie will be around much longer, and I don't expect to see Samauri or Callie again. But then there's Carrie, hopefully she dies, because to be honest, I was annoyed when she showed up earlier this season as the crazy girlfriend, and was surprise she was written out so quickly, but I guess I shouldn't have spoken so soon... Oh well, she certainly provided one hell of a cliffhanger.
Rating: 3.5/5
Saturday, 26 May 2012
Happy Endings Season 2 Final Recap & Review (2.22: KickBall 2: The Kickening)
Crazy Alex signs the gang up for a kickball competition in order to advertise her store, Xela, and you know when an episode of Happy Endings starts off with everyone agreeing with the shows most bizarre and painfully ignorant character that a high amount of ridiculousness is going to ensue.
Of course, hyper-competitive Jane has already signed up with another team, South side Kaz's Auto body Shop, spurring her sibling rivalry with Alex. They replace her with Scott, who is high on steroids.
Poor Dave, once again the butt of everyone's jokes because of his inability to be good at anything, this time because of a previous kickball incident in which he hit Penny in the face, resulting in jips. He tells Max that the elderly Chinese woman pitching know his game plan.
The gang talk big about loyalty to Jane when they meet Kaz's Auto body Shop team in the semi-finals, before replacing Dave with Chicago Bears line-backer Lance Briggs. Jane pitches Alex out, and they lose, but later Jane reveals they're meeting Ivanoc Nail Salon in the championship final, after Kaz's Auto body shop were disqualified for corking their sneakers with metal.
Naturally, Scotty suffers a serious injury when Max taps him on the back, forcing Dave to play. Dave kicks the ball, and running to the next base, it hits Penny in the face. It bounces off and Ivanoc's Russian captain catches the ball, winning them the game. Xela celebrate Dave overcoming his nerves, as Penny lies crying on the ground.
Compared to last week's episode Four Weddings and a Funeral (Minus Three Weddings and One Funeral, this episode left a lot to be desired in terms of a season final. While we got to see the gang all together, which is generally when sitcoms have their best episodes, the kickball theme was overplayed and over the top.
Quote of the episode:
Kickball Commentator: 'In my thirty-six hours of covering kickball folks I've never seen anything so confusing.'Rating 2.5/ 5
Ringer Series Final Recap & Review (1.22: I'm The Good Twin)
What’s with all these television shows teasing out their final episodes? A constantly guilty Bridget wakes from her wedding dream just as a threatening Bodway Macawi walks towards her. Someone’s getting cold feet.
And now off to rehab, where she receives her one year chip. Really? Bridget stills has time to go to these meetings when she’s not trying to take down ponzie schemes, or having to deal with her fake soon to be renewed husband’s schizophrenic now lesbian ex? Bridget sure knows now to multitask. And… WHERE IS MALCOLM? She reveals to her group she plans to come clean to her family about who she really is.
Solomon tells Bridget what we are all thinking. The whole point of becoming Siobhan was too hide from Macawi, and revealing herself as Bridget would mean wasting all her time she spent posing as Siobhan to protect her life. I suppose it’s meant to demonstrate character growth or something, Bridget will now rather die than hurt the ones she’s grown to love but… common sense, Bridget!
Tim Abargast (love that surname) conveniently buys out Martin & Charles. God forbid any main character in a drama series pays for they’re actions, so yes, Andrew doesn’t go to jail, but unbeknown to him, gains a boss who really has it out for Siobhan and Henry.
At the hospital Henry finally stands up to Siobhan, he wants to leave for Chicago to be close with his family, and he’s only waiting for her, and she’s… possibly still hung up by her vendetta against Bridget.
Machado gets his badge back, on the condition he severs all ties with the Bodway Macawi case. Like that’s ever going to happen!
Bridget (as Siobhan) returns home to find Jimmy in her apartment, he tells her he no longer wants to be Macawi’s bitch, and he wants Siobhan to pay him like she did last time. Cue the flashback! Despite knowing everything that happened all already, it’s always still interesting to see how things unfold. This leaving Bridget in a sticky situation, she has to pay James, because otherwise he is still working for Macawi, which means he will still be after her.
Henry comes home and Siobhan is packing, for Chicago, where she says she will meet him when the twins are ready to fly, leaving her enough time to try one last scheme against Bridget I bet.
In Denver, Colorado at the FBI Headquarters someone tells Machado that a body has been found that matches the facial structure of Malcolm Ward, and that Jimmy has escaped from prison. If that doesn’t put a person back on a case I don’t know what does.
At dinner, Bridget plans to tell Andrew and Juliet that she is not Siobhan, but it can’t be that easy, right? Juliet gets an urgent text from her friend Andrea and leaves the room, and then Andrew gets all soppy talking about vows, poems and love.
In the South Bronx, Jimmy tries to leave with the money Bridget as paid him, but as he does so Macawi confronts him. Jimmy tries to explain and tells Macawi that Siobhan is Bridget, but Macawi kills him. I which they had had more of his character throughout the series, he had the potential to be truly menacing, but he just didn’t get enough screen time.
Bridget continues to ponder Siobhan’s actions, as she’s been doing all season: why would she pay someone to make Bridget run to her and then commit suicide a few days later? Hmmm. Also she’s given a gun by Solomon who is going to the Hampton’s later do to some more pointless investigating.
Siobhan opens Henry paternity test, and confronts him about it. He asks her what it says, and she tells them the girls are his. But shock horror, once he walks away Siobhan reads it revealing that he is not the biological father.
As Andrew leaves the office Tim tells him that he has to tell him the truth.
Andrew arrives home at their going away party, and makes a huge scene, telling Siobhan he knows about her affair with Henry, and that the marriage is over.
Siobhan calls out to Henry as she’s looking over her accounts, they’re empty and Henry reveals he took the money. He tells her that he wanted to take away the one thing that meant something to her. He reveals he rang the hospital before the arrival of the letter to find out his paternity. He tells her he is going out, and that he wants her gone when he gets back. You go Henry!
At her now empty apartment Bridget sees that Jimmy has been killed on the news and knows that Macawi is in New York. She calls Machado for help, but he tells her his job is on the line. Andrew arrives home and Bridget tells him… that she’s Bridget!
Andrew is understandably conflicted with emotion: he loves Bridget, but their entire relationship is a lie. Bridget tells him she regrets everything she’s done expect for loving him and Juliet, because having two people in her life that love her kept her sober. He tells her to leave.
She goes to her friends house, where Juliet has been, and tells Juliet she’s Bridget as well. Juliet tells Bridget she’s worse than her mother and leaves.
Andrew goes to Henry’s house and punches him in the face.
Andrew and Juliet, with luggage in hand, wait outside their apartment building, heading to the beach house. As they leave, Siobhan sneaks out into the lobby. As she’s stealing jewellery from the apartment, all the security feeds go out at the security guards desk and Siobhan hears a smashing sound before Macawi attacks her.
Bridget returns home in an attempt to reconcile with Juliet. She walks into the lobby and finds the security guard dead. She confronts Macawi with Solomon’s gun, and Siobhan runs off, Bridget thinking Macawi was chasing Juliet. Macawi lunges at her, and Agent Machado enters the room, and Bridget shoots Mawai in the face.
As Siobhan looks at her babies, she tells them she has to get her old life back.
Solomon returns from the Hampton’s with security footage from the marina Bridget and Siobhan took the boat out from. It shows that Siobhan is alive three hours after Bridget presumed her dead.
Bridget goes to Henry’s apartment and confronts him. He tells her why Siobhan wanted Bridget to take her place, she knew someone was trying to kill her.
Rating 3.5/5
Wednesday, 23 May 2012
The Big Bang Thoery Season 5 Final Recap & Review (5.24: The Countdown Reflection)
I love the fact that Howard is achieving one of his biggest dreams, yet he is so afraid to do it at the same time. It shows some depth to his character, and with him marrying Bernadette in this episode as well, he's come a long way. The scene where he gives her a star necklace is touching, but simultaneously crude as he asks her 'Close your eyes. Put out your hand I got you something special', to which she replies 'Come on, Howard, I'm not falling for that again.' Ewww!
I can't say I cared for the retelling of the wedding once Howard was already in the spaceship, but I guess the writers thought it might have been a good way to hook viewers at the beginning of the episode, despite the fact it was painfully obvious they were getting married in the episode.
I loved that Amy wore her bridesmaid dress and tiara to city hall, but I'm not so sure how much of Amy I will be able to handle as she continues to try and change the relationship her and Sheldon share. Thus far it's been amusing, but how long until Amy says enough is enough? Or the even worse possibly, how long until she changes our beloved Sheldon? Sheldon grabbing Amy's hand at the end of the episode as Howard's rocket went into space was a little of enough gesture for me to breathe easy that the writers aren't going to go too fast with this, and that Sheldon will remain as he is.
I'm annoyed Leonard and Penny have hit their rough patch already. And they're fighting over exactly the same thing that broke them up last time, Leonard being too emotionally ready, while Penny in emotionally stunned! I mean, we had to deal with all this two seasons ago, why must we go through the exact same thing again? Hopefully this is cleared up soon, and next season the writers can try and do something different with the couple.
The fact that the entire gang became ordained ministers to oversee the marriage was cliched and full of sentimentality, but what are you going to do, it's a sitcom wedding, that's what they are. I did love everyone's speeches however, similarly touching and amusing.
I was wondering how they were going to incorporate Mrs. Wolowitz into the wedding without her being seen. Having her sitting so far away was a lame idea in my opinion, surely they could have come up with something better?
It's very much a bummer feeling constantly bad for Raj, and to be honest, I'm sort of dreading the disillusion of his bromance with Howard now that he's married to Bernedtte. I always was a little annoyed that we never actually got to see too much of just Raj and Howard just hanging out together, instead we were given constant homosexual jokes about their relationship.
Overall, a pretty standard season final, but it most definitely felt like the closing of a chapter, and next season each of the three main couples will be in interesting stages of their relationships. I'm hoping writers are able to keep the dynamics of the couples, and their context within the group, fresh and interesting. And while they're at it, give Raj something to do.
Rating: 3/5
Alcatraz Series Final Recap & Review (1.13: Tommy Madsen)
36 hours earlier she it at her uncle Ray's bar, talking with her old police captain. She tells him that the new task force she is on is investigating a crime syndicate, which they believe the man who killed her partner, Will Peters, is apart of. She tells him she thinks the murder she personal, and that perhaps Tommy knew Will, and asks him whether or not there was anything that wasn't in Will's police file. Her captain tells her Will was the subject of an investigation at the time of his death, as he was receiving suspicious payments from Broadway Mutual, billionaire ex-con Harlan Simmons company and that it was never determined whether or not he was receiving bribe money.
A stressed Joe Limerick enters a secure lobby of a psychiatric hospital and bangs on the window of the reception desk. The receptionist doesn't let him in until he holds up a Broadway Mutual ID card. When he enters he tells her that he is a prisoner from Alcatraz returned from 1960, and that some bad people are after him and he needs a place to lay low. As he settles in, he tells the staff his story, until he is alone in his room where he pulls out a key.
Back on Alcatraz in 1960, Tommy Madsen talks to Joe Limirick through his cell. Joe has just been returned there after an escape attempt, and is soaking wet, wrapped in a blanket. Tommy tells Joe that the warden signed his death warrant stating he died trying to escape. Warden James arrives and removes Tommy from his cell. He takes him to the infirmary and Tommy asks him if he will be taking more blood, to which he replies this time they will be giving his blood back, and a man starts the blood transfusion as Tommy screams in pain.
Back in 2012, Tommy breaks into a man's house and confronts him while he is sleeping on the couch. Tommy asks him where his wife is, when he says he doesn't know, Tommy tells him to text her to come home, and they they are going to wait for her. Meanwhile, the man's young daughter, having seen Tommy threaten her father runs into the backyard and into the woods.
On Alcatraz, Dr. Beauregard takes Lucy's blood-pressure. She's asks him why some of the returned prisoners on Alcatraz have silver in their blood why others don't, to which he replies that he doesn't know, and thought that she would have a better chance at knowing them him. She asks him if he thinks they can isolate the silver in the blood, and he tells her he has already started his investigation into it and will let her know.
Hauser watches the recording of Lucy's interview with Ernest Cobb, where he informed her that as long as she is alive she is still her target. Lucy walks in on him and he tells her that they need to limit her exposure before he receives a message telling him they've got a possible ID on Tommy Madsen.
They arrive at the police station where the little girl whose father was attacked has identified Tommy Madsen, but is in shock after the events, and cannot tell the police where she lives or her last name. Rebecca and Soto try to get the information by drawing a picture of a cat, and leaving out the eyes. When Rebecca asks her what the cat sees, she tells them her father was fighting with Tommy.
Back in 1960, Tommy awakens after his blood-transfusion in Nob Hill, San Francisco. Warden James arrives and tells Tommy that he can do a lot of things for him and vice-versa. Tommy tells him that he feels great, and the warden suggests they go for a walk.
In 2012, Tommy awaits the arrival of the mans wife. Upstairs, the man frees himself from his binds and retrieves a pistol hidden under his bed. His wife arrives home and Tommy confronts her with a gun at the front door, but the man, Michael, shoots him from the stairs and Tommy whips around and returns fire, shooting him in the shoulder.
At the police station the girl gives Rebecca and Soto her address. They arrive on the scene and an injured Michael tells them Tommy took his wife about ten minutes earlier.
In a public bathroom, Tommy makes Michael's wife sew up the bullet wound in his leg. She tells him he'll need to see a real doctor, to which he replies that he will heal just fine.
In a plane on an airstrip Hauser meets with a man in an army uniform. Hauser asks the man to get him in touch with Harlan Simmons, telling him Tommy Madsen is active again, and that he has a peculiar interest in Simmons and Hauser needs to know why. The man asks Hauser if this means Warden James is back, to which Hauser replies that'll be the first question he asks Madsen when he catches him. The man tells Hauser he doesn't have the authority to get in contact with Simmons, but that he has the papers Hauser asked for: a passport for Lucy. Hauser reveals he plans to take her to Paraguay in an attempt to protect her, but that he'll need to go with her and help her settle in. The man then tells Hauser before he does this he must brief his team.
At Alcatraz Lucy, Soto and Rebecca investigate Michael's wife, Georga Bradley, and what Tommy might possibly want with her. Rebecca wonders why the 63's are fighting each other. Hauser arrives, and lets Rebecca and Soto follow him into his secret meeting room, where one of his associates is waiting. Hauser reveals he believes Tommy is after a third key that opens a secret compartment under Alcatraz, and that he thinks Warden James might be behind everything. He also reveals why he's telling them now, because he plans to take Lucy to Paraguay, Lucy overhears this and tells them she's found the link between Georga and Broadway Mutual she works at the psychiatric hospital owned by the company, and the computer has picked up that she has just arrived there.
In 1960, Warden James and Tommy Madsen sit at a North Beach restaurant. The warden asks Tommy if he could have one thing in the entire world, what would it be?
At the psychiatric hospital Tommy uses Georga to break into Joe's room, he trashes the place searching for something, and Joe arrives. Tommy asks Joe for the key, and Joe swears he doesn't have it, and a chase ensues.
Back at Alcatraz, Dr. Beauregard informs Lucy that the silver can't be isolated from the blood stream, and that it will be in her forever. Beauregard asks her if she will go to Paraguay, and states she probably feels obligated too, after Hauser spent 50 years looking for her, to which Lucy replies that she feels a lot of things, including the fact that Hauser is no longer the same man he once was.
In 1960, Warden James takes Tommy to see his son, who is playing in his front garden. Tommy speaks to him, but the boy doesn't know him and runs inside, afraid. Tommy returns to the warden and tells him that he knows what he wants from him.
At the psychiatric hospital Tommy corners Joe, telling him he can protect him from Harlan Simmons if he hands over the keys. Joe tells Tommy he can't and he jumps out a window, committing suicide. At that moment, Rebecca, Hauser and Soto arrive. Rebecca goes into the hospital and finds Georga who tells her that Tommy has gone down the garbage chute, into the parking garage under the hospital. He breaks into a car and escapes, while Rebecca commandeers a civilian's car to pursue him.
Back at Alcatraz in 1960, Ray enters an interrogation room, where Tommy sits waiting for him. Tommy tells Ray he needs him to leave Alcatraz, and gives him an envelope containing adoption papers for his son, Ben. Ray refuses, and Tommy tells Ray how he killed his wife. He tells him his termination papers are also in the envelope. Ray leaves, and Tommy turns to the double sided mirror in the room, and Warden James is seen standing on the otherside.
As Rebecca continues to chase Tommy through the streets of San Francisco, Hauser pats down Joe's corpse in search of the key. Soto finds it on him however, and Hauser demands the key, but Soto says he's not giving the key to Hauser until they find Rebecca and open the door in Alcatraz together. Hauser pulls a gun on him as he enters his car, but Lucy stops him.
Rebecca catches up to Tommy and clips the back of his car, which flips over several times. She gets out of hers and pulls him from the wreckage before his car explodes. Tommy reveals he killed Will Peters, her partner, because he was being paid by Simmons to keep eyes on Rebecca to get to Tommy and the other 63's. He also tells her that Harlan broke a promise to Warden James, causing all this inmate warfare. He asks her if Ray really told her how her parents died, before taking her by surprise and stabbing her in the stomach. He flees in the car Rebecca commandeered, and seconds later Soto arrives.
At the hospital, doctors start surgery on Rebecca. In the waiting room, Hauser tellsLucy this is why he needs to take her away, and she says its precisely why she can't leave, and that together they'll be able to figure everything out. Ray arrives and Hauser tells him it was Tommy that stabbed Rebecca. Angry that Hauser pulled Rebecca into the 63 project, he demands that he and Lucy leave. As they do so Soto gives Hauser the key. Hauser tells him he can come and open the door with them, but he declines, saying Rebecca is more important.
Hauser and Lucy return to Alcatraz and open the door. Inside they find old technology, two switch boards, and a map of the U.S. Hauser turns on the power and the equipment turns on. Lucy touches a pin on the map of the U.S. and the dots on the map start to light up. Lucy states that the pins represent where Alcatraz inmates would return home. They the board was used to mark where prisoners would go once they left Alcatraz.
In the same room in 1960, the doctor that performed the blood-transfusion on Tommy tells Warden James he successfully tracked everywhere they went that day.The two men turn to Tommy asking him if he's willing to be their advanced man. He tells them he guesses he doesn't have a choice having life in prison, to which the doctor replies he could be out of Alcatraz in three years.
Back in 2012, Hauser and Lucy hear a noise somewhere else in the room. They go to investigate and find a man lying on the floor; the doctor from 1960. He asks them what year it is. They tell him and he bursts into uncontrollable laughter.
At the hospital, Rebecca flatlines, and the doctors call her time of death.
Overall, the episode left much to be desired, especially now that Fox has decided not to re-new for a second season. For majority of this season Alcatraz and perfectly balanced it's procedural elements while carefully continuing to build a serialised mythology as the show progressed. Unfortunately, this week, it was pure mythology building, and the episode titled Tommy Madsen was not so much about Rebecca's grandfather and his crime, but rather told the story of Warden James beginning to incorporate Tommy into his grand scheme. Another reason this caused a problem with me is that each week we've been treated with another entrancing criminal, some more entertaining than others, but nonetheless always enigmatic and captivating. Tommy himself possessed these characteristics earlier in the season, back when he seemed to be pulling the strings and manipulating other inmates on Alcatraz, but in this episode he was but a very boring pawn in Warden James' game.
The revelations one generally awaits in series finals were also disappointing. Most of them seemed to be within the context of the show, Rebecca and Soto were finally allowed into Hauser's secret room in Alcatraz, and he and his scientist friend told them their theories, but nothing all that substantial. Lucy discovered the silver in her blood cannot be removed. So? Rebecca also finally discovered why her partner, Will Peters, was targeted by Tommy in the pilot. But that happened in the pilot, and we're not so much concerned with discovering answers to things that happened back then.
We did however discover what the keys opened, but nothing inside was all that revolutionary. Basically, the silver injected into the prisoners bloodstream allows them to be tracked by Warden James. That's handy, but surely the silver has to serve some other purpose as well, right? Not only that, but the warden's blood-transfusion doctor seemed to have jumped there. Yay, another mysterious person who won't provide any insight whatsoever into what is happening.
The biggest shock of the episode, Rebecca's death, was also annoyingly pre-empted by having her sporting a wound at the beginning of the episode and then winding back the clock. I understand that you need a way to hook viewers, but I would have been much more surprised by Rebecca's stabbing if the sequence of events had occurred in a normal timeline.
It's a pity, I thought Alcatraz was one of the few shows that balanced its procedural and serialised mythology elements effortlessly from the get go. Oh well. I hope one day the creator at least tells us what she had planned to happen.
Rating: 3/5
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The Walking Dead Season 2 Final Recap & Review (2.13: Beside The Dying Fire)
The first half of the episode is non-stop action as a herd of Walkers, having been following a helicopter, are distracted by Carl's gunshot, and follow the sound to a clearing where Rick and Carl are returning to the farmhouse after Shane's death and transition into a Walker.
Daryl and Glenn return to the house and tell the others that Randall had turned into a Walker, despite the fact he was killed by having his neck snapped, and not bitten or scratched by another Walker. They soon spot the herd of Walkers approaching the farm and decide to use their vehicles to try and lead the Walkers away, despite how large the herd is. Lori goes into her 'I won't leave without my child!' spiel. Calm down, Carol, we only had to listen to this for three quarters of the second season after all.
Meanwhile, surmising that they won't make it to the farm, Rick and Carl hide inside the barn, and Rick douses the ground in gasoline. Rick hands Carl a lighter and sends him up to the hayloft before opening the doors. As Walkers pour in, Rick hurries up the ladder and Carl drops the lighter. The barn bursts into flames.
With Daryl on his motorcycle, Jimmy in Dale's RV, Andrea and T-Dog in Otis's truck, and Glenn and Maggie in Shane's SUV the group drives towards the walkers starting to mill at the fence surrounding the barn. They drive past continuously, shooting as many as they can. Noticing the fire, Daryl sends Jimmy with the RV to pick up whoever starting it, believing it to be either Rick or Shane. Rick and Carl jump on the RVs rooftop as walkers surround the vehicle. The walkers break inside and tear Jimmy apart, while Rick and Carl run. So begins the culling of unnecessary secondary characters introduced this season.
Back at the farm the others realise there is too many Walkers and that they must run, Lori is persistent to stay and find Carl, but Carol convince her to leave with her, Beth and Patricia. Hershel, who is shooting from the front of the farm, doesn't hear the women screaming for him, and continue culling the oncoming walkers. As they run, walkers grab Patricia and rip into her throat, Beth is stunned, and Lori must pull her away. Up ahead, Carol, too, has become surrounded by walkers. Andrea and T-Dog arrive in Otis's truck and Lori and Beth hop in, while Andrea hops out too help Carol. Andrea shoots two of the walkers surrounding Carol dead before a third walker attacks her from behind. She spins around and fires. From Otis's truck, Lori, Beth and T-Dog see the walker fall on Andrea. Walkers swarm the truck and T-Dog drives away, while Carol has vanished.
Elsewhere, Glenn and Maggie find their car surrounded too, and are forced to leave the farm. Back at the house, Hershel continues to fend off walkers (so what do you know, he doesn't die). Rick arrives and convinces him it's time to leave. Along with Carl, they escape in Hershel's SUV. Andrea, unhurt, tries to flag Rick down as he drives away, but he doesn't notice her. She flees on foot with the bag of guns. Daryl rescues Carol on his motorcycle, and they ride away. The barn continues to burn and eventually collapses as the RV is destroyed.
Other then some continuity issues with the logistics of everyone location, there were several instances in which characters would be directly next to each other, and two second later be separated by the farm, these scenes were fast-paced and enthralling entertainment.
I was a little disappointed that having the group separated into smaller groups didn't last a bit longer. I always love it when television shows change the dynamics between the characters. For example, I would have loved to see more of just Lori, Beth and T-Dog travelling in Otis's pickup together, but alas it was not to be. That being said, kudos has to be given to the logic of all of these characters, they never discussed where they should meet if something happened, but they were all smart enough to return to the highway where they left supplies for Sophia earlier that season. Accept for poor Andrea, who has been running all night from walkers, and is now out of ammunition. A walker topples her, but before it can bite her its head is sliced off. As the walker's body slumps over, Andrea sees standing before her a hooded stranger wielding a samurai sword and two jaw less and armless walkers chained at the neck with shackles.
Later, the other survivors caravan down a country road. Hershel's SUV runs out of gas. Rick declares they'll camp by the road and scavenge in the morning, but the others doubt him. From here, there are revelations abound, mostly because Rick seems to have gone off the deep end and just can't keep his mouth shut. He reveals that Jenner told him they are all infected with the walker virus, so when they die, they will come back. The others are furious at him for keeping it a secret. And Rick reveals that he was doing what he thought was best for them, which including killing Shane. Carol and Maggie express they are eager to leave the group, and rick tells them they're most welcome to try and get by by themselves and to see how'd they do. No one leaves and he tells them the group isn't a democracy anymore. In the distance, a large structure looms; a prison.
While there's plenty of plot threads to keep audiences eagerly awaiting next season, including the hooded figure and the prison, it's the character development I'm most excited about. Rick's transition from reluctant hero to ruthless dictator has been a swift one, and we are yet to see the full repercussions. It will be interesting to see what he is willing to do, if he will further transgress into a Shane like character, and even more interesting how the group of survivors will react to his new leadership strategy.
Rating: 4/5
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