Tuesday, 5 February 2013

New Girl 2.14 Review: Pepperwood


About time Jess got an annoying jar! Schmidt's a douche, yes, but a lovable and harmless one, and why he should have to put money in a jar all the time over the more often than not cringe worthy behaviour of Jess is beyond me. Regardless, you have to admire her unwavering passion to teach, even if it is teaching creative writing to adults who write about Mer-men and masturbation. She's excited she's had a breakthrough with one of her students, Edgar, but when Nick reads his creative imagery assignments he becomes convinced that Edgar is a murder and decides to go undercover as Julius Pepperwood from Chicago as a new student in Jess's class. Initially Nick's investigation is amusing, but as with Jess, having Nick play the paranoid conspiracy theorist for the entire episode quickly wore thin. Obviously, in the end, Edgar turned out not to be a murderer, only guilty of having a much older wife and owning a mysterious duffel bag. Back at the loft, after an incident in which Winston accidently brushes himself against Cece, he discovers that his roommates talk about this often occurring with him, calling it his 'pogo'. In annoyance, he tells Schmidt the others talk about him too, and in an attempt to rectify what he thinks his pogo is, Schmidt shaves half his eyes brows out forcing Winston to reveal that his pogo is actually his ugly toes. This storyline relied heavily on the insecurities of the characters, and while it was all a bit of fun, a bit more sensitivity and understanding could have been used from the characters in regards to their roommates peculiarities. Plus, Jess and Nick's 'pogos' probably could have been a lot funnier if they hadn't had the Edgar storyline.

Quote of the episode:
Nick Miller - 'Writers don't read. We write.'

Rating: 3/5

Deception 1.3 Review: A Drop of Blood and a Microscope


With Vivan's baby daddy missing Joanna is forced to get information from the Bower's the old fashioned way, which means when Robert Bowers tells her to accompany Julian to the Lyritrol conference, she accepts. What she doesn't know is that it's in the Bahamas, much to Will's annoyance. Despite the fact she's doing her job, Joanna definitely has bad judgement and while she has yet to sleep with Julian again, running to Will because she thinks her ex-lover is a murderer isn't the best move emotionally either. Bowers Pharmaceutical's, now that Vivan's death has been officially ruled a murder; decide to persuade Edward to step down from the company. Although it's revealed Edward has hidden Ben Preswick, Vivian's source from Bowers Pharmaceutical’s and the father of her unborn baby, at a safe house. Edward wants evidence of a Lyritrol cover-up, evidence Vivian promised him, but his decision to maintain his position at the company by threatening his co-board members remains to be seen as a desperate man wanting to protect his family, or a man willing to put everything on the line for Vivian. Whatever his choice, Samantha wanted out of the Bowers and thought she had her chance, at least until a very aggressive Sofia forced her to reunite with Edward, for fear that her daughters would be taken away from her. Mia, having found she missed Vivian that much more since confirming her death as a murder decides to look at photos of trees and is swooped of her feet by an amateur photographer/ attendee of a concert at an abandoned building. He beats up a guy trying to steal her camera, and it is all very romantic for her, unfortunately he paid the guy he beat up, and I'm wondering how long I'll have to deal with this storyline.

Rating: 2.5/5

Thursday, 31 January 2013

Revenge 2.12 Review: Collusion


Emily's playing a dangerous game trying to get to The Initiative, and Collusion made it apparent that she might not have all the control she might like. In convincing Daniel to acquire Stonehaven in a business deal, Emily unwittingly gave The Initiative exactly what they wanted. Furthermore, it severely hindered her partnership with Victoria, who was adamant she stop Daniel's furthering plans at Grayson Global. While The Initiative’s introduction into Revenge defines the show as extremely melodramatic, at least Revenge knows what it is. The revelation that they plan to use Nolan’s confidential Carrion project in order to shut off all of Manhattan's electricity, and that they've used Daniel to require Stonehaven, a disaster relief foundation, so that they can profit from using Carrion is over the top dramatics at its peak. The way in which The Initiative has seemingly worked their way into the lives of the characters of Revenge is another prime example of this. Aiden tried to play along with their plans and kill Victoria, but Emily convinced him not to, leading to (possibly) his sister's death. Not even Nolan is immune to their manipulative powers, discovering his employee/ lover Padma is working for them. Let's just hope her reasons are more intriguing and not so banal as Daniel's. Meanwhile, are even more banal storyline involving the Porters and the Stowaway continues, and just as I knew it would more of Revenge's characters have been dragged into this silly plot. Hopefully Conrad's business deal with Nate to take control of the docks, and tear small businesses down to create a new high-end casino in an attempt to run for politics provides more interesting developments for all the characters involved other than Jack and Declan wondering around like stunned mullets.
Rating: 2.5/5

Californication 6.2 Review: Quitters


While I'm still uncertain that Hank's time in the Happy Endings Rehabilitation Centre will do any good for his character in the long run, the new setting has undoubtedly allowed the show an interesting change of perspective. The necessary tragically hot young female that befriends Hank this season, Faith, has yet to sleep with him yet, but other than that, her usefulness throughout this season seems as if it will be pretty thin, particularly since she's already explained her backstory. Hank spent most of the episode being a sarcastic arse, but thankfully visits from Charlie, who is now a ‘gay-gent’ for Hollywood movie star Robbie Mac, and Becca, who has inherited her father’s unique ways in terms of discussing her sex life, kept things funny. I'm intrigued to see more Karen and Marcy interaction since they are now roommates, other than just them getting high, but I guess I'm going to have to wait. It looks like most of Karen's time will be taken up being interior designer for stereotypical rock-star Atticus Fetch, which at least will allow her character to be tied in nicely with Hank's 'professional' endeavours this season which is something the show hasn't done before. Marcy on the other hand seems to be having a hard time letting go of her cheating ex Stu, for which I am glad, because despite all the disturbing overzealous sex talk between them, I find the characters, and the bizarre relationship they share, endearing.

Rating: 3/5

Tuesday, 29 January 2013

Fringe 5.13 Review: An Enemy of Fate


Fringe's final episode saw the Fringe team finally piece together the device they had been 'building' all season in order to send the child Observer Michael into the future to stop The Observers ever being created. The stakes and obstacles were high enough though to make it a fairly exciting episode. Broyles was discovered as the mole for the underground, Peter and Olivia had to infiltrate Observers headquarters to get the control cube needed to operate the shipping lane between time periods, and this allowed the use of past Fringe biological materials as a nod to longtime fans. Astrid and Walter also shared a nice moment with Daisy the cow, and the fantastic Windmark met his squishy demise at Olivia's hands. In terms of character development Fringe's final episode lacked severely, but Fringe has always had difficulty doing so with character's that aren't named Walter Bishop. The mad scientist finally got the redemption he thought he deserved by sacrificing himself and taking Michael into the future. So Olivia and Peter fought for their family, Etta, and won, and while it was all very touching, 'generic happy family' as an ending for a thought provoking science-fiction show isn't exactly what I wanted.

Rating: 3.5/5

Wednesday, 19 December 2012

Homeland 2.12 Review: The Choice


One of Homeland’s greatest strengths for me as a viewer has been its ability to make the relationship between its two leads ambiguous. Are they really in love with each? Or is one (or both) of them playing on the emotions of the other for the sake of their job? ‘The Choice’ removed this uncertainty and presented Carrie and Brody as two people deeply in love with each other, and while Danes and Lewis have continuously proved their great acting skills, Carrie and Brody in the throes of a new romance does not make for interesting viewing. In fact, watching the pair of them return to the cabin in which their elicit relationship first begun was rather painful to watch. There was juggling of potatoes, deep and meaningful conversations about absentee mothers, deep and meaningful conversations about their future as a couple, sex, and croissants, all in that order. Thank god Quinn was hovering in the background ready to kill Brody on Estes orders the second he was alone, just to keep thinks interesting.

Or not. Quinn approached Estes in his home and made it clear that he only kills the bad guy, and that Brody’s involvement with the CIA finally allowed them to kill Nazir, therefore Brody’s deal with the CIA should be honoured. As a character Quinn was a great addition to Homeland this season, although his sudden display of strong morals and affection for Carrie’s wellbeing seemed uncharacteristic, him threatening Estes was entertaining nonetheless.
Brody not being killed by Quinn allowed him to start moving on from his past and into a possible future with Carrie. He made Mike buy him a beer, thanked him, and basically told him now they that were divorcing that he could have Jessica (not a bad trade, if you ask me). Jessica too was trying her best to make headway in moving on, but the way in which she unceremoniously removed all of Brody’s clothes from their room, and made certain that he came to get his suit for Walden’s memorial while she wasn’t there makes it clear there’s still some animosity towards him. Dana walking in on her father changing was a superb call back to the season one final, although Brody’s decision to tell her that he had planned to detonate a suicide bomb seemed unrealistic, although perhaps it was representative of Brody’s continued attempts to move on. He no longer needs to lie because that part of his is now over and he has no purpose in continuing to hide it.
Estes, having hidden Saul in the CIA for three days, had no reason to hide him any further either, with Brody’s assassination cancelled. Once free he and Carrie, who had some decision making of her own to do in regards to her future with Brody, had a talk in the best scene of the episode. Saul told her she was in line to be the youngest station chief in the history of the agency, to which her response is understandably conflicted. Saul gives her the harsh truth: she can do whatever she wants, but an intelligence officer for the CIA can’t, and that she’ll be throwing her life away for a terrorist if she stays with Brody (which seems quite the contradictory thing for him to say considering he just spent three days locked away for his attempts at trying to stop Brody’s assassination, but the scene was gripping regardless).
Saul headed off to oversee Nazir’s sea burial, and Carrie and Brody attended the beginning of Walden’s memorial before sneaking off to Saul’s office where Carrie told Brody she had made her decision to be with him, before Brody noticed someone had moved his car. Before Carrie could say ‘Fuck!’, an explosion ripped through Langley incinerating Walden’s memorial service and knocking Carrie and Brody over. Homeland’s suspension of disbelief has come under heavy scrutiny recently, and I’ve no doubt that the occurrence of a major explosion within a CIA facility will garner a similar response, but I much prefer a Homeland that takes risks and throws everything into question in the second half of ‘The Choice’ over the incredibly tedious first half.
That being said, the explosion is the catalyst that will see Homeland into its third season, and if the questions and atmosphere of the second half of ‘The Choice’ is anything to go by, I’m extremely hesitant as to where the show is headed. The decision to once again place Brody as a prime suspect for the attack just seems exhausted, Carrie’s instantaneous response to blame him, while tense, is something we’ve all seen before. He tells Carrie that this could have been Nazir’s plan all along, that he orchestrated his Walden’s deaths in a master plan for revenge. And once again, Carrie’s easily convinced, and the pair leave Langley, Carrie provides him with money and a fake passport, before the star-crossed lovers say goodbye at the border, Carrie telling him she’ll clear the name of the presumed terrorist.
The problem with Homeland is that the presentation of a character or storyline is never clear cut, audiences think they’ve figured out who a character is or what has been happening, but the way in which Homeland continues aims to ensure us that you can never be certain, which leads to increasingly frustrating viewing. Regardless as to whether Brody, Nazir, the long talked about CIA mole, or even Saul or Quinn (yes, there has been heavy discussion online that even these two characters could have blown up Langley, such is the elusiveness of Homeland), is culpable, what’s certain is that Homeland will continue to entertain audiences next season, albeit in a very confusing way.
Rating: 3.5/5

Wednesday, 5 December 2012

The Walking Dead 2.8 Review: Made To Suffer


Rick, Daryl, Michonne and Oscar attempted to rescue Glen and Maggie from Woodbury this week, and despite some incredibly stupid decisions, and a rather unbelievably easy entrance and escape, things were relatively entertaining. Rick and Michonne are two very entertaining characters, but also both have quite frustrating demeanour's, and watching them squabble over how things should be done is increasingly annoying. Regardless, both were able to successfully get what they want through the use of an endless supply of smoke grenades. Rick was able to retrieve Glen and Maggie, although Oscar didn't survive, unsurprisingly, and Michonne was at least able to attempt to get revenge on The Governer, and their fight was the highlight of the episode.

The Governer's motivations are still a mystery, but at least this episode gave audiences a closer look at his psyche, and how far he's willing to go to stop 'the terrorists' who he thinks are desperate to take what he has created in Woodbury. His seething anger at Merle for lying to him about Michonne's death led to the exciting closing scene in which he decided to bit Merle against his long lost brother Daryl in a fight, presumably to the death. The shock on Andrea's face was another great moment, a woman whose seemingly new found perfect world has just been shattered by the shocking clash of people from her past and present.

Back at the prison Carl is being all adult and emotionless as usual, and presumed paedophile Axel is making the moves on Beth, but not Carol because she's totally a lesbian. In more entertaining news, a group runs into the prison seeking refuge, and while the beginning of the episode showed them struggling with trying to keep one of there own around after they've been bit, something I'm sick of watching, it's a necessary reminder about how far Rick and the others have come. While I'm hesitant for The Walking Dead to add even more characters, I understand their need in a show with such a high death count.

Rating: 3/5