Showing posts with label Season Premiere. Show all posts
Showing posts with label Season Premiere. Show all posts

Wednesday, 5 July 2017

Gypsy 1.1 Review: The Rabbit Hole



I have an interest in psychology, and as such, I've always enjoyed watching therapist characters on television. I've always been adamant the best part of The Sopranos was Tony's therapy sessions with Dr. Melfi, and more recently several characters on Hannibal proved just how entertaining these characters can be to watch. It's surprising, then, that something like Gypsy hasn't come along earlier. While it's being dubbed a 'psychosexual drama/ thriller' I propose that it's something far simpler - a character drama, and not in the This Is Us sense.

Series with therapists often risk becoming boring because a fundamental part of their job - therapy sessions - involve a lot dialogue being spilled out like exposition. The audience aren't being shown anything, there is no action occurring, and so it a lot more difficult to keep people entertained when two characters are just sitting in a room. What allows fictional psychologists to become so interesting is that they don't do much talking in their sessions - they listen - so while whatever character spills out their lives problems to them the therapist can remain relatively enigmatic.



Enter Jean Holloway, a New York psychotherapist played by Noami Watts. She initially seems competent at her job, telling her elderly patient Claire Rogers that she needs to respect her daughter Rebecca's boundaries. Jean receives several calls from her own mother throughout the episode which she promptly ignores and one can't help but think that Claire might become a stand-in for Jeans own parental problems. Later at a staff meeting a colleague is telling her and some others about his patient who is planning to propose to his girlfriend, but he's anxious because he is still cheating with his co-worker. Jean is quick to say that he should't marry her when another co-worker tells her, 'that's not for us to decide, we're here to address his issues, not make his decisions.'

And so Jean is revealed to be more than an average therapist. It becomes increasingly evident that she wants to get involved in her patients lives, and that she has done so before, her husband Michael (Billy Crudup) asking, 'you're not getting emotionally involved again, are you?'. Whether it is to help them, or for own personal interests (professional or otherwise) remains to be seen, but I can already she Gypsy being one of those enthralling series in which we continuously watch its lead in Jean, make increasingly bad decisions, but yet we can't look away, and sort of hope she makes the wrong choices for our entertainment.



Jean literally goes down 'The Rabbit Hole' in this episode, stalking (it may seem a harsh word, but it's clearly what she's doing, and assumedly her behaviour is only going to get more questionable as the series progresses) her client Sam's ex-girlfriend Sidney while she works at the coffeeshop. We know from Sam's therapy session that he's still taking the break-up hard 8 months on, and so the questions is, why does Jean assume the alias of 'Diane' the writer and befriend Sidney? Is it to get Sidney's side of the story, a more balanced opinion? Sam certainly loses a lot of audience sympathy when Sidney reveals his clinginess. Or is Jean intrigued by the way Sam is obsessed with Sidney? Did she go to 'The Rabbit Hole' to find out who this amazing woman was for her herself? Did she go because she herself has never loved someone that much (she seems restless with her husband Michael), or being loved that much? It's Jean's enigmatic motivations that will continue to make Gypsy an intriguing series to watch, so when instances like Sidney brushing her hand over hers evokes a question in both the character and the audience, 'why is she here?'. 

Despite Jean's elusiveness there is still a lot of talking throughout the aforementioned therapy sessions. Sam tells her he went to return some of Sidney's things under her guidance, which she knew having almost been spotted by Sam at the coffeeshop. But Sam goes on to tell her about Sidney's dead father leading him to think she has trust issues, and ironically, Jean is shocked. Sam's revelation contradicts a story Sidney told 'Diane' about her father being in prison - and suddenly Gypsy has highlighted something very important. Just because there's a lot of talking, it doesn't mean anything is actually being said. Sidney has lied to either Sam or Jean, or even both, and just when both Jean and the audience thought they were starting to grasp her character, we are now uncertain of everything. Gypsy's tagline is 'Who are you when no one is watching?' and it highlights what most already know. We are us, yes, but we are also different versions of oursleves depending on who we are with, for better or worse. Jean is obviously a character still changing, as we all do throughout our lives, and it'll be interesting to see where Sidney's arrival takes her.

Sunday, 24 July 2016

BoJack Horseman 3.1 Review: Start Spreading The News


The season starts off with BoJack doing a press tour for The Secretariat in New York and as with most things in life BoJack tells reporters constantly that 'it's a dream come true', but it's also a nightmare having to repeatedly answer the same questions and be teased about his previous work like Horsin' Around. The press are also constantly asking him, 'what's next for BoJack?'. He wants an Oscar for his role, sure, but after that who knows? BoJack reveals to his publicist Anna at the end of the episode (after having accidentally revealed to a Matinee Fair that his performance in The Secretariat is a digital construct), that he was almost relieved that the farce of having to act at a certain way and say certain things for so long just for one night of happiness to get an Oscar wasn't worth it. She seems to think is it, however, telling him that this has been his dream and that he's worked so hard already that he deserves that one night and that together they'll get it for him. Knowing BoJack Horseman, I very much doubt he'll actually win an Oscar for his role, because that's life.

Back in LA, J.D. Salinger announces that he no longer wants to keep making 'Hollywoo Stars and Celebrities: Do They Know Things? What Do They Know? Let's Find Out' stating, 'I told the story I wanted to tell. To prolong it for commercial reasons would be crass and inorganic'. This puts Mr. Peanutbutter out of a job, and Princess Caroline decides to focus all her agency's attention on the small amount of clients it has rather than trying to attract big name celebrities like J.D. Salinger again. This prompts Mr. Peanutbutter to put P.B. Livin back in business and his accountant unwillingly gives him one of his worst ideas to date while impersonating Todd (who had been accidentally packed into BoJack's luggage and was in New York) - 'A Spaghetti Strainer That's Also A Hat: The TV Show.' Naturally Mr. Peanutbutter tells him that he wants to put all his money into the series. I personally could see it running as long as Horsin' Around.

Rating 3/5

Monday, 14 September 2015

Project Greenlight Season 4 Episode 1 Review


With the sheer amount of entertainment content we consume it has become increasingly easier to forget the amount of people and effort it takes for such content to be made - which is why Project Greenlight makes for such engaging watch. Each series documents a contest winner as they direct their first film, and this season it will be a broad comedy titled Not Another Pretty Woman and written by The Farrelly Brothers (best known for Dumb and Dumber, and There's Something About Mary).

Being fairly young I wasn't aware of the earlier iteration of the series that premiered back in 2001 on HBO and ran for two seasons before switching to Bravo for a third season in 2005. In those seasons of the series the contest winners were both writers and directors, producing their own original screenplay throughout the series, while this season the competition was solely for directors. While it's disappointing that the writing aspect has been removed, it's not hard to see why. It was most likely a cost-cutting measure. Having the winner direct a film that has already been written (and likely would have been produced regardless of the series) not only adds an extra finical partner to the series, but diminishes potential loses. As I've said, the series is a great idea, but the previous three films it has released Stolen Summer, The Battle of Shaker Heights, and Feast, were not financial successes and have undoubtedly put them at a loss.


Despite this, Matt Damon and Ben Affleck, along with their production company LiveAction, and HBO, have decided to make another season and I, for one, am very interested to see what the series is. Majority of the first episode, unfortunately, was almost typical reality fare as Matt, Ben, The Farrelly Brothers and a whole array of other of producers etc. whittled down 13 contestants, who were first chosen on their own short-film submissions, and then what they did with 3 minutes of the Farrelly's script) down to one winner.

Matt and Ben, as always, were overly charming and doing the buddy thing as sort-of co-hosts - which is fine - but the wrong sort of aspect to add to this sort of series. And the contestants were a wonderful array of passionate film-makers - who were also a wonderful array of weirdos. Too bad there's not a series where we could spend more time delving into that weirdness, but refreshingly that isn't Project Greenlight.

The episode only got interesting when it make down to the judges to pick a winner. A heated discussion about diversity and the treatment of women in film, and then the thought processes behind giving a potentially pretentious and difficult director the job elevated the series to something more than Project Runway with directors. Or does it? The group end up picking the aforementioned pretentious director, Jason, because he's obviously the best director. But he'll also provide more drama than any of the other contestants would for the series, as he immediately demonstrates to Matt and Ben. As soon as he's been announced the winner he tells them he has to shoot in film and would prefer it if another writer was hired to re-do the script. As one of the the producers puts it, you can't write that drama. Maybe not. But if reality television has taught us anything it's that drama can be constructed.

So now it remains to be seen what content Project Greenlight will produce as the winner Jason start filming his directorial debut, but either way, I think I'm along for the ride.

Rating: 3.5/5


Monday, 17 June 2013

True Blood 6.1 Review: Who Are You, Really?


True Blood has always worked best when its characters are all involved in the plot, and picking up from where last season left off, with the Authority destroyed and Bill's downing of Lillith's blood, provided an action-packed and exciting beginning to the new season. Sookie and the others fled from a crumbling authority, trying as fast as they could to get away from 'Billith', and it was all very suspenseful, until, at least, the group stopped to get their bearings and Jason's new-found and over-the-top hatred for vampires ruined the dynamic.

I love that Bill was able to summon Jessica, and while we didn't really learn anything new about what happened to Bill, the episode was an interesting springboard for the rest of the season. Sookie is ready to stay away from vampires for good, and while viewers have heard that before, her ability to stake Bill, and to rescind her invitation to her house from Eric (quite unexpected), shows she's serious (although I doubt this will last long, she always pulled back in, and she should be, otherwise I imagine her characters story lines would be quite boring). Eric and Nora plan to stop 'Billith' someone, and while Nora has yet to be developed as a character it will be good for the show to have a new dynamic to follow. Similarly, Pam and Tara will have to work on their growing relationship, and while I'm not really interested in them as a couple their link to what is likely to be the larger storyline this season, vampire oppressive Louisiana governor Burrel, in this episode was good. After Jason's aforementioned complaining, he tried to hitchhike back to Bon Temps, unfortunately it was with the vampire that killed his parents Warlow, and while it was obvious, it's good to know the character's finally in play and a big threat, considering he was Lillith's protégé as Nora revealed.

All this aside, True Blood still managed to fit in several unrelated story lines for characters that no one really cares about. Sam and Emma escaped the Authority collapsing, but Luna dies saving her daughters life, so we'll have to wait and see where caring for Emma takes Sam this season. Alcide became pack master and if it wasn't for the poor excuse for poor, it wouldn't have been interesting at all. And in what is already likely to be the worst storyline for the entire season, Andy is having difficulty taken care of his triplets born by fairy. It was just like watching a bad sitcom. But at least, unlike previously bad story lines from True Blood, this one seems to be progressing at a much faster pace, considering that by the end of the episode Andy's baby's were grown up enough to talk.

A solid start to the season, but I'm hesitant that by the end of the episode True Blood has already placed its characters into separate story lines away from one another, and I'm afraid we won't get to see the great dynamic experienced at the beginning of the episode for some time.

Rating: 3.5/5