Wednesday 19 December 2012

Homeland 2.12 Review: The Choice


One of Homeland’s greatest strengths for me as a viewer has been its ability to make the relationship between its two leads ambiguous. Are they really in love with each? Or is one (or both) of them playing on the emotions of the other for the sake of their job? ‘The Choice’ removed this uncertainty and presented Carrie and Brody as two people deeply in love with each other, and while Danes and Lewis have continuously proved their great acting skills, Carrie and Brody in the throes of a new romance does not make for interesting viewing. In fact, watching the pair of them return to the cabin in which their elicit relationship first begun was rather painful to watch. There was juggling of potatoes, deep and meaningful conversations about absentee mothers, deep and meaningful conversations about their future as a couple, sex, and croissants, all in that order. Thank god Quinn was hovering in the background ready to kill Brody on Estes orders the second he was alone, just to keep thinks interesting.

Or not. Quinn approached Estes in his home and made it clear that he only kills the bad guy, and that Brody’s involvement with the CIA finally allowed them to kill Nazir, therefore Brody’s deal with the CIA should be honoured. As a character Quinn was a great addition to Homeland this season, although his sudden display of strong morals and affection for Carrie’s wellbeing seemed uncharacteristic, him threatening Estes was entertaining nonetheless.
Brody not being killed by Quinn allowed him to start moving on from his past and into a possible future with Carrie. He made Mike buy him a beer, thanked him, and basically told him now they that were divorcing that he could have Jessica (not a bad trade, if you ask me). Jessica too was trying her best to make headway in moving on, but the way in which she unceremoniously removed all of Brody’s clothes from their room, and made certain that he came to get his suit for Walden’s memorial while she wasn’t there makes it clear there’s still some animosity towards him. Dana walking in on her father changing was a superb call back to the season one final, although Brody’s decision to tell her that he had planned to detonate a suicide bomb seemed unrealistic, although perhaps it was representative of Brody’s continued attempts to move on. He no longer needs to lie because that part of his is now over and he has no purpose in continuing to hide it.
Estes, having hidden Saul in the CIA for three days, had no reason to hide him any further either, with Brody’s assassination cancelled. Once free he and Carrie, who had some decision making of her own to do in regards to her future with Brody, had a talk in the best scene of the episode. Saul told her she was in line to be the youngest station chief in the history of the agency, to which her response is understandably conflicted. Saul gives her the harsh truth: she can do whatever she wants, but an intelligence officer for the CIA can’t, and that she’ll be throwing her life away for a terrorist if she stays with Brody (which seems quite the contradictory thing for him to say considering he just spent three days locked away for his attempts at trying to stop Brody’s assassination, but the scene was gripping regardless).
Saul headed off to oversee Nazir’s sea burial, and Carrie and Brody attended the beginning of Walden’s memorial before sneaking off to Saul’s office where Carrie told Brody she had made her decision to be with him, before Brody noticed someone had moved his car. Before Carrie could say ‘Fuck!’, an explosion ripped through Langley incinerating Walden’s memorial service and knocking Carrie and Brody over. Homeland’s suspension of disbelief has come under heavy scrutiny recently, and I’ve no doubt that the occurrence of a major explosion within a CIA facility will garner a similar response, but I much prefer a Homeland that takes risks and throws everything into question in the second half of ‘The Choice’ over the incredibly tedious first half.
That being said, the explosion is the catalyst that will see Homeland into its third season, and if the questions and atmosphere of the second half of ‘The Choice’ is anything to go by, I’m extremely hesitant as to where the show is headed. The decision to once again place Brody as a prime suspect for the attack just seems exhausted, Carrie’s instantaneous response to blame him, while tense, is something we’ve all seen before. He tells Carrie that this could have been Nazir’s plan all along, that he orchestrated his Walden’s deaths in a master plan for revenge. And once again, Carrie’s easily convinced, and the pair leave Langley, Carrie provides him with money and a fake passport, before the star-crossed lovers say goodbye at the border, Carrie telling him she’ll clear the name of the presumed terrorist.
The problem with Homeland is that the presentation of a character or storyline is never clear cut, audiences think they’ve figured out who a character is or what has been happening, but the way in which Homeland continues aims to ensure us that you can never be certain, which leads to increasingly frustrating viewing. Regardless as to whether Brody, Nazir, the long talked about CIA mole, or even Saul or Quinn (yes, there has been heavy discussion online that even these two characters could have blown up Langley, such is the elusiveness of Homeland), is culpable, what’s certain is that Homeland will continue to entertain audiences next season, albeit in a very confusing way.
Rating: 3.5/5

Wednesday 5 December 2012

The Walking Dead 2.8 Review: Made To Suffer


Rick, Daryl, Michonne and Oscar attempted to rescue Glen and Maggie from Woodbury this week, and despite some incredibly stupid decisions, and a rather unbelievably easy entrance and escape, things were relatively entertaining. Rick and Michonne are two very entertaining characters, but also both have quite frustrating demeanour's, and watching them squabble over how things should be done is increasingly annoying. Regardless, both were able to successfully get what they want through the use of an endless supply of smoke grenades. Rick was able to retrieve Glen and Maggie, although Oscar didn't survive, unsurprisingly, and Michonne was at least able to attempt to get revenge on The Governer, and their fight was the highlight of the episode.

The Governer's motivations are still a mystery, but at least this episode gave audiences a closer look at his psyche, and how far he's willing to go to stop 'the terrorists' who he thinks are desperate to take what he has created in Woodbury. His seething anger at Merle for lying to him about Michonne's death led to the exciting closing scene in which he decided to bit Merle against his long lost brother Daryl in a fight, presumably to the death. The shock on Andrea's face was another great moment, a woman whose seemingly new found perfect world has just been shattered by the shocking clash of people from her past and present.

Back at the prison Carl is being all adult and emotionless as usual, and presumed paedophile Axel is making the moves on Beth, but not Carol because she's totally a lesbian. In more entertaining news, a group runs into the prison seeking refuge, and while the beginning of the episode showed them struggling with trying to keep one of there own around after they've been bit, something I'm sick of watching, it's a necessary reminder about how far Rick and the others have come. While I'm hesitant for The Walking Dead to add even more characters, I understand their need in a show with such a high death count.

Rating: 3/5

Monday 5 November 2012

George Lucas Sells LucasFilm to Disney

 
On October 30th 2012, Lucasfilm founder and Star Wars creator George Lucas announced, with Walt Disney CEO Bob Iger, that he had sold his production company to Disney for $4.05 billion dollars. Furthermore, in a joint video media release, Iger also reveals Disney’s plans to continue the Star Wars saga, with a new trilogy, of which the first film is expected to be released sometime in 2015. It is tent titled Star Wars: Episode VII, based after the events of Return of the Jedi, which was released in 1983, and it’s expected that every two to three years after that the two sequels will hit cinemas. Watch the video below:

 
It’s easy for many to say that Lucas’ decision to sell his beloved creation is an attempt to ensure a very nice retirement pay check, and that the Star Wars legacy, the one in which is name will always be synonymously tied to despite his lack of future involvement, will forever live on in cinematic and pop-culture history. However, after watching his interview, I can’t help but feel that his decision to sell LucasFilm is a genuine one. It does not solely come from a place of wanting monetary gain, as he has stated majority of the money he received from the deal will go towards his educational foundation and other philanthropic endeavours. Neither does it come from an egotist wanting to maintain his notoriety. As an aspiring writer myself I understand that a writers' creations can simultaneously be a product that they never want to see end, but are also the bane of their entire existence. Lucas has received much criticism for Star Wars since the release of The Phantom Menace in 1999, which must have been a perplexing experience for Lucas considering the overwhelming positive feedback the original trilogy garnered. What makes this even sadder is the knowledge of Lucas’s meticulous work ethic; that he worked so hard on all of his films, yet currently they recieve mixed to negative reactions since the conclusion of the last Star Wars film he made, Revenge of the Sith in 2005. As Lucas himself has stated: ‘Why would I make any more... when everybody yells at you all the time and says what a terrible person you are?’ It’s no wonder Lucas initially abandoned plans to make further films, but this way, Lucas’ creation is able to live on, and he is able to pursue his wish to undertake more experimental films, without feeling that he owes Star Wars, or it’s fans anything, without discrediting the image of the company he created. Not only that, but fans that were unimpressed by the Star Wars prequel trilogy can be optimistic that Disney has the opportunity to take the franchise in creative and exciting new directions.
But just how excited should we get? And what directions could we be expected to be heading in? Details from Lucas’ previously abandoned sequel plans suggest the next trilogy will be based twenty to thirty years after the end of Return of the Jedi, with the characters of Luke, Leia and Han playing pivotal roles. Popular theories online since the announcement of the new trilogy suggest the plot might borrow heavily from many novels based after Return of the Jedi in the expanded Star Wars universe. The most discussed being the original cast playing more of a supportive role to new, younger, central characters, most possibly Leia and Han’s children, Jiana and Jacen Solo, who have played a large role in the expanded universe, as well as featuring a new Jedi Order and Jedi Academy shown to be built by Luke in the novels. Obviously this is all speculation, but one assumes Star Wars won’t return without the presence of Luke, Leia and Han in some capacity, but will the actors be willing to return to the roles that made them famous, and even more importantly, are they in good enough health to do so? Mark Hamill would seem to be the most likely to return to his role, but he as aged considerably and would need to do a lot of work to get into shape for the film. Similarly, Carrie Fisher hasn’t aged all that well either, and her many personal problems  may keep her from returning. Harrison Ford has been the most successful of the three since the end of Star Wars, so he would have no need to return, and it has been stated that he wanted his character Han Solo killed off in the Return of the Jedi, so his return seems unlikely, unfortunately. But then again, he reprised his other most iconic character Indiana Jones In The Kingdom Of The Crystal Skull in 2008 so you never know.
Then again, Luke, Leia and Han could still easily appear in the next trilogy – played by completely new actors. This is where Disney’s acquisition of the Star Wars franchise starts to come under closer scrutiny. Technically they have the ability to do as they please with the continuation of the story, and as Disney CEO Bob Iger stated the Star Wars universe ‘offers a virtually limitless universe of characters and stories to drive continued feature film releases' and refers to "[i]ts universe of more than 17,000 characters inhabiting several thousand planets spanning 20,000 years offer[ing] infinite inspiration and opportunities’.  The only thing promising about this is Disney is obviously in the money making business, and the best way to do that with the next trilogy will be to promise fans a continuation of the characters they know and love after Return of The Jedi, which is possibly why at this early stage so much decision had been around the expanded Star Wars universe and the return of key characters.
Regardless of what the outcome is, Star Wars is a pop-culture phenomenon and Disney's acquisition of one of the most influential science-fiction saga of all time is no doubt an exhilarating and slightly terrifying occurrence, and for me personally, 2015 can't get here fast enough.

Saturday 29 September 2012

2012 64th Primetime Emmy Awards Recap



Last week the 64th Primetime Emmy Awards were held, and despite my best efforts at predicting which shows and actors would take home a golden statue for their outstanding achievement in television, there were many surprising wins. Which was good, it added a much needed entertainment factor to the often long and dry affairs awards ceremonies tend to be. While many of my predictions were wrong, and even fewer were those I actually wanted to win, looking at the winners, it's good to see that the quality of television and acting was so good among all the nominees. Majority of the time I didn't mind that I had guessed incorrectly, or if my favourite show or actor lost, because it was easy to see the excellent quality of majority of the nominees. Overall, out of the ten categories I made predictions on, I only correctly guessed four, and there were only two categories in which a nominee I wanted to win actually won.

As for the ceremony itself, I always find it fun seeing television world collide when stars come together to do skits for events like this, but while the opening was fun, it could have been better. Jimmy Kimmell did fine as the host, and he most definitely has a touch of pompousness about him that really is necessary for hosts of shows like this to have. I couldn't help but feel a lot of the time though that Kimmell was given lines because he was the host and they had to give them to him. Having him introduce presenters with a usually not all that amusing one-liner just seems like a waste of time, and it goes on to cement my idea that perhaps award ceremonies shouldn't have hosts, or if they do, several of them, so that so producing the event don't feel as thigh they have to throw the host an unnecessary line because he hasn't been on screen in the last five minutes. I really could have done with more skits, and the only really funny one worth mentioning was Modern Family's candid look behind-the-scenes hilariously depicting how Aubrey Anderson-Emmons (who plays Lily on the show) terrorises her older cast members and makes work a living hell for them all.


I quite enjoyed the shorts of nominees being asked questions like how do you overcome writers block? (for outstanding writing for a drama series nominees) and several others similar to it. I wish that insight into the creative people behind the shows is fascinating and all the nominees should have been given the chance to answer questions like that (plus some of the answers were quite funny). As for the speeches, there were none to memorable, other than Julia Louis-Dreyfus and Amy Poehler's obviously planned yet still amusing speech mix up.


And it seems the producers were extremely erratic in deciding who long people would get to speak. The writers of Homeland, Alex Gansa,  Howard Gordon & Gideon Raff, were cut very short, while Julie Bowen of Modern Family was allowed to prattle on for a while. Here's a list of the major winners (again, not all of them, only the main ones which I know a bit about) and my thoughts on the outcomes (winners are highlighted in bold).

Outstanding Drama Series:
Boardwalk Empire (HBO)
Breaking Bad (AMC)
Downton Abbey (PBS)
Mad Men (AMC)
Homeland (Showtime)
Game of Thrones (HBO)

This is what I'm talking about. Other than Mad Men (which I tried to watch and think is incredibly overrated) and Game of Thrones (no where near anywhere as good as the other shows in this category), I would have been okay seeing any of these dramas win. Nice to have some fresh blood take the win after Mad Men's three consecutive years.

Outstanding Lead Actor in a Drama Series:
Steve Buscemi as Nucky Thompson, Boardwalk Empire (HBO)
Michael C. Hall as Dexter Morgan, Dexter (Showtime)
Bryan Cranston as Walter White, Breaking Bad (AMC)
Hugh Bonneville as Robert Crawley, Downton Abbey (PBS)
Jon Hamm as Don Draper, Mad Men (AMC)
Damian Lewis as Nicholas Brody, Homeland (Showtime)

The exact same thing can be said about this category, Damian Lewis got credit where credits due. If an actor can make American audiences sympathise with a terrorist, you know he's doing something right.

Outstanding Lead Actress in a Drama Series:
Julianna Margulies as Alicia Florrick, The Good Wife (CBS)
Michelle Dockery as Lady Mary Crawley, Downton Abbey (PBS)
Elisabeth Moss as Peggy Olson, Mad Men (AMC)
Kathy Bates as Harriet Korn, Harry's Law (NBC)
Claire Danes as Carrie Mathison, Homeland (Showtime)
Glenn Close as Patty Hewes, Damages (DirecTV)

Most deserving win of the night, it would have been a crime if Danes hadn't of won.

Outstanding Supporting Actor in a Drama Series:
Aaron Paul as Jesse Pinkman, Breaking Bad (AMC)
Giancarlo Esposito as Gustavo 'Gus' Fring, Breaking Bad (AMC)
Brendan Coyle as John Bates, Downton Abbey (PBS)
Jim Carter as Mr. Carson, Downton Abbey (PBS)
Jared Harris as Lane Pryce, Mad Men (AMC)
Peter Dinklage as Tyrion Lannister, Game Of Thrones (HBO)

I still would have liked Giancarlo Esposito to win, but it's nice to see something good happen to 'Jesse' for once.

Outstanding Supporting Actress in a Drama Series:
Archie Panjabi as Kalinda Sharma, The Good Wife (CBS)
Anna Gunn as Skyler White, Breaking Bad (PBS)
Maggie Smith as Dowager Countess of Grantham/ Violet, Downton Abbey (PBS)
Joanne Froggatt as Anna, Downton Abbey (PBS)
Christina Hendricks as Joan Holloway Harris, Mad Men (AMC)
Christine Baranski as Diane Lockhart, The Good Wife (CBS)

I like Maggie Smith as much as the next guy, but I think her prudish character/ performance of Downton Abbey is a bit overrated, although I haven't seen all of the nominees in action, so who am I to say she didn't deserve it?

Outstanding Comedy Series:
Curb Your Enthusiasm (HBO)
Girls (HBO)
30 Rock (NBC)
Veep (HBO)
Modern Family (ABC)
The Big Bang Theory (CBS)

Modern Family a solid comedy, so I have no qualms with it's win, even though I prefer to watch 30 Rock and The Big Bang Theory. Nice to see two new female-centric comedies in the mix, I might need to check them out.

Outstanding Lead Actor in a Comedy Series:
Larry David as Himself, Curb Your Enthusiasm (HBO)
Jon Cryer as Alan Harper, Two And A Half Men (CBS)
Louis C.K. as Louie, Louie (FX)
Jim Parsons as Sheldon Cooper, The Big Bang Theory (CBS)
Don Cheadle as Marty Kaan, House Of Lies (Showtime)
Alec Baldwin as Jack Donaghy, 30 Rock (NBC)

This one was a surprise. I'd say most of the other actors in this category were more deserving of the award, but it's nice to see Cryer get some praise after having to play second-fiddle to Charlie Sheen on a mediocre show for eight seasons.

Outstanding Lead Actress in a Comedy Series:
Zooey Deschanel as Jess Day, New Girl (FOX)
Lena Dunham as Hannah Horvath, Girls (HBO)
Edie Falco as Jackie Peyton, Nurse Jackie (Showtime)
Amy Poehler as Leslie Knope, Parks And Recreation (NBC)
Tina Fey as Liz Lemon, 30 Rock (NBC)
Julia Louis-Dreyfus as Selina Meyer, Veep (HBO)
Melissa McCarthy as Molly Flynn, Mike & Molly (CBS)

Again, the talent of all these nominees speaks for itself, it could have easily gone to anyone.

Outstanding Supporting Actor in a Comedy Series:
Ed O'Neill as Jay Pritchett, Modern Family (ABC)
Jesse Tyler Ferguson as Mitchell Pritchett, Modern Family (ABC)
Ty Burrell as Phil Dunphy, Modern Family (ABC)
Eric Stonestreet as Cameron Tucker, Modern Family (ABC)
Bill Hader as Various Characters, Saturday Night Live (NBC)
Max Greenfield as Schmidt, New Girl (FOX)

If a Modern Family actor had to win this (and I mean, who am I kidding, one of them had to, look at those odds), I wanted it to be Stonestreet, he plays a gay man so well. I really cannot wait to see Max Greenfield really show the rest of the world what he's made of, he's performance of Schmidt on New Girl is must see.

Outstanding Supporting Actress in a Comedy Series:
Mayim Bialik as Amy Farrah Fowler, The Big Bang Theory (CBS)
Merritt Wever as Zoey Barkow, Nurse Jackie (Showtime)
Julie Bowen as Claire Dunphy, Modern Family (ABC)
Kristen Wiig as various characters, Saturday Night Live (NBC)
Sofia Vergara as Gloria Delgado-Pritchett, Modern Family (ANC)
Kathryn Joosten as Karen McCluskey, Desperate Housewives (ABC)

Again, could have gone to anyone, although I wish it had been Vergara over Bowen.

Thanks for reading. What was your favourite/ least favourite part of the 64th Primetime Emmy Awards? Happy with the winners? Let me know in the comments.

Sunday 23 September 2012

My 2012 Emmy Predictions


Here are my picks for the 2012 Emmy's, who I think will take home the prize, and who I think should.

Outstanding Drama Series:
Boardwalk Empire (HBO)
Breaking Bad (AMC)
Downton Abbey (PBS)
Mad Men (AMC)
Homeland (Showtime)
Game of Thrones (HBO)

Who I Want to Win: Boardwalk Empire does what a lot of these nominated shows do well. It's based in the past and effectively portrays stories relevant to the present, has a distinct visual style, an anti-hero as a protagonist, and an incredible ensemble cast who each have their own story to tell. It's the combination of all these aspects together that make it so good.
Who I Think Will Win: It arguably had it's best season to date, so Breaking Bad.

Outstanding Lead Actor in a Drama Series:
Steve Buscemi as Nucky Thompson, Boardwalk Empire (HBO)
Michael C. Hall as Dexter Morgan, Dexter (Showtime)
Bryan Cranston as Walter White, Breaking Bad (AMC)
Hugh Bonneville as Robert Crawley, Downton Abbey (PBS)
Jon Hamm as Don Draper, Mad Men (AMC)
Damian Lewis as Nicholas Brody, Homeland (Showtime)

Who I Want to Win: Although I don't think Breaking Bad is the best drama on television, there's no doubt in my mind that Bryan Cranston's Walter White is the best character on television, and Cranston goes above and beyond to portray him.
Who I Think Will Win: Bryan Cranston.

Outstanding Lead Actress in a Drama Series:
Julianna Margulies as Alicia Florrick, The Good Wife (CBS)
Michelle Dockery as Lady Mary Crawley, Downton Abbey (PBS)
Elisabeth Moss as Peggy Olson, Mad Men (AMC)
Kathy Bates as Harriet Korn, Harry's Law (NBC)
Claire Danes as Carrie Mathison, Homeland (Showtime)
Glenn Close as Patty Hewes, Damages (DirecTV)

Who I Want To Win: As much as I love Glenn Close as strong-willed and manipulative Patty Hewes, Claire Danes proved all she's worth as bi-polar CIA agent Carrie Mathison.
Who I Think Will Win: Claire Danes.

Outstanding Supporting Actor in a Drama Series:

Aaron Paul as Jesse Pinkman, Breaking Bad (AMC)
Giancarlo Esposito as Gustavo 'Gus' Fring, Breaking Bad (AMC)
Brendan Coyle as John Bates, Downton Abbey (PBS)
Jim Carter as Mr. Carson, Downton Abbey (PBS)
Jared Harris as Lane Pryce, Mad Men (AMC)
Peter Dinklage as Tyrion Lannister, Game Of Thrones (HBO)

Who I Want To Win: It's hard to go up against Bryan Cranston on screen and outdo him, but Giancarlo Espostio did just that in the last season of Breaking Bad.
Who I Think Will Win: Giancarlo Espostio.

Outstanding Supporting Actress in a Drama Series:
Archie Panjabi as Kalinda Sharma, The Good Wife (CBS)
Anna Gunn as Skyler White, Breaking Bad (PBS)
Maggie Smith as Dowager Countess of Grantham/ Violet, Downton Abbey (PBS)
Joanne Froggatt as Anna, Downton Abbey (PBS)
Christina Hendricks as Joan Holloway Harris, Mad Men (AMC)
Christine Baranski as Diane Lockhart, The Good Wife (CBS)

Who I Want To Win: Unfortunately I've only seen Breaking Bad and Downton Abbey, so from those nominations, Anna Gunn (although I think her performance this season as Skyler will be more worthy on an Emmy next year).
Who I Think Will Win: I hear Christina Hendricks year.

Outstanding Comedy Series:
Curb Your Enthusiasm (HBO)
Girls (HBO)
30 Rock (NBC)
Veep (HBO)
Modern Family (ABC)
The Big Bang Theory (CBS)

Who I Want to Win: I only watch 30 Rock, Modern Family and The Big Bang Theory, and based on their last seasons, I want 30 Rock to win.
Who I Think Will Win: Modern Family seems to have dominated this category since it's debut.

Outstanding Lead Actor in a Comedy Series:
Larry David as Himself, Curb Your Enthusiasm (HBO)
Jon Cryer as Alan Harper, Two And A Half Men (CBS)
Louis C.K. as Louie, Louie (FX)
Jim Parsons as Sheldon Cooper, The Big Bang Theory (CBS)
Don Cheadle as Marty Kaan, House Of Lies (Showtime)
Alec Baldwin as Jack Donaghy, 30 Rock (NBC)

Who I Want to Win: Alec Baldwin continues to make 30 Rock the show it is.
Who I Think Will Win: And so does Jim Parsons.

Outstanding Lead Actress in a Comedy Series:
Zooey Deschanel as Jess Day, New Girl (FOX)
Lena Dunham as Hannah Horvath, Girls (HBO)
Edie Falco as Jackie Peyton, Nurse Jackie (Showtime)
Amy Poehler as Leslie Knope, Parks And Recreation (NBC)
Tina Fey as Liz Lemon, 30 Rock (NBC)
Julia Louis-Dreyfus as Selina Meyer, Veep (HBO)
Melissa McCarthy as Molly Flynn, Mike & Molly (CBS)

Who I Want To Win: I only watch New Girl and 30 Rock, but neither lead role is outstanding, so I'd be happy to see anyone win, perhaps Amy Poehler since she is yet to get an accolade.
Who I Think Will Win: Possibly one of leads of HBO's freshmen comedies, lets say Julia Louis-Dreyfus.

Outstanding Supporting Actor in a Comedy Series:
Ed O'Neill as Jay Pritchett, Modern Family (ABC)
Jesse Tyler Ferguson as Mitchell Pritchett, Modern Family (ABC)
Ty Burrell as Phil Dunphy, Modern Family (ABC)
Eric Stonestreet as Cameron Tucker, Modern Family (ABC)
Bill Hader as Various Characters, Saturday Night Live (NBC)
Max Greenfield as Schmidt, New Girl (FOX)

Who I Want To Win: Max Greenfield upstaged Zooey Deschanel, and made New Girl a much better show.
Who I Think Will Win: As with Jim Parsons, Ty Burrell seems to have this category in the bag.

Outstanding Supporting Actress in a Comedy Series:
Mayim Bialik as Amy Farrah Fowler, The Big Bang Theory (CBS)
Merritt Wever as Zoey Barkow, Nurse Jackie (Showtime)
Julie Bowen as Claire Dunphy, Modern Family (ABC)
Kristen Wiig as various characters, Saturday Night Live (NBC)
Sofia Vergara as Gloria Delgado-Pritchett, Modern Family (ANC)
Kathryn Joosten as Karen McCluskey, Desperate Housewives (ABC)

Who I Want To Win: Modern Family gets a lot of critical acclaim, and the show owes a large part to Sofia Vergara's efforts, so I hope she gets it.
Who I Think Will Win: But Julie Bowen probably will.

I apologise for not previewing the entire list of categories, but my knowledge of the shows represented in them is limited and I didn't want to make any predictions without having seen majority of the programs, although I do hope Jessica Lange wins for Outstanding Supporting Actress in a Mini-series or Movie, American Horror Story, FX. Tune back later in the week for my full review of the Emmy's and my thoughts on all the winners and losers.

Wednesday 8 August 2012

Awkward Episode Recap & Review 2.6: What Comes First Sex or Love?


Awkward has the difficult task of portraying life through the first person of a teenage girl. As is bound to happen with a protagonist such as this, sometimes the show finds itself being brought down by Jenna's teenage girl dilemma's, particularly this week when she is uncertain about what to do after Jake has told her he loves her, and she doesn't know how she feels.

It certainly doesn't help that those Jenna should turn to for help in figuring this out aren't the best people to receive advice from. Lacey's best friend Ali is back in town with a ring on her finger, and despite the fact Ali is one of the worst human beings ever who calls Jenna 'little bitch', Jenna, for some reason, decides that's a good place to start looking for friendly advice. Of course all she gets is that her new Uncle, named Dan, has enough money to get her breast implants. That's very helpful.

Meanwhile, Sadie continues her affair with Ricky Schwartz despite telling him that she doesn't do band geeks. He's infatuated with her, and she wants none of it but a little tonsil attention (maybe he now knows how Tamara feels?). As usual, she's hilarious at simultaneously berating him and wanting his attention at the same time.

Jenna's  friends aren't helpful either, basically telling her that if the feelings aren't there that she should break up with Jake. And again, why would Jenna listen to them? Tamara has an unhealthy obsession for a boy that constantly cheats on her, and Ming hasn't even been on a single date, yet somehow knows she's in love with Frank. Ah, teenage girls. Anyway, talking to Tamara makes Jenna realises she knew she loved Matty after they had sex (really Jenna? You think whether or not you love someone is dependent on sex?). And so starts Jenna's plan to have sex with Jake, but as with all things involving Jenna it goes horribly wrong and she announces her wishes to have sex over the school PA system.

So now not only is Tamara being labelled Tinkerbell in the school halls for peeing her pants on last weeks episode, but Jenna is now a slut that can't keep it in her pants. Both girls take it surprisingly well, and Tamara, as always, holds her own hilariously against the taunts. Matty jokingly offers Jenna some advice, and is surprisingly nice about it. No wonder Jenna is confused. Matty is a good guy. Anyway, she momentarily convinces herself that because Matty and her are friends her feelings for him are resolved (yes, I'm sure that's the end of that) so now all she has to worry about is Jake.

Jake is eager to have the sex (that's how kids speak, right?) but now Jenna's not so sure. She doesn't want sex to have a lasting affect on how she feels about him either way, and while her Mum's yoga class inspires Jake to take her home to do the deed, Ali seems to have inadvertently done a nice thing and convince Lacey and Val to stay home and drink instead. Luckily for Jake he leaves before things gets truly awkward. Val is a terrible drunk, and what is meant to be funny comes across as just plain disturbing. If that wasn't enough Sadie shows up to collect her soon-to-be aunt Ali (I didn't see that coming) and watches as Ali monologues about whether or not she can sleep with Dan for his money (of course she can) and Lacey burst into tears when the possibility of Kevin not returning home is discussed. This inspires Sadie to reconsider Ricky's advancements and I loved a chance to see a different side of Sadie this episode, struggling with the fact that someone actually like her for who she is is not something she is used to.

Later, Lacey apologises to Jenna in her room, and tells her what I sort of wish someone had told her at the beginning of the episode: that your first time with someone, whether or not you're in love, should be special. Apparently this is an invitation for Jenna who immediately calls Jake and says she'll bring the condoms. How considerate. They meet, and Jake has pimped out his Mum's minivan to make the occasion special, and knowing that Jake is after something special just as much as he is, Jenna pulls him into the van.

Rating: 2.5/5

True Blood Recap & Review 5.9: Everybody Wants To Rule The World


At the vampire Authority, the group watches the news which reports that the largest Tru Blood factory in the world has been destroyed. In celebration, they feast on a man tied to their table.
Molly tries to leave compound and finds that it is in lock down, meaning nobody is allowed to leave. Eric approaches her and asks her if there is any way that they can escape.

Sookie enlists Lafayette to help figure out who the vampire spirit Warlow is, and he ends up getting a message from Sookie's grandmother: that what she's looking for she's lying on top of. Sookie finds a box of Gran's old things under her bed and as her and Lafayette search through it she discovers from an old newspaper clipping that Sheriff Bud was the one who found her parents bodies. Sookie goes to Bud's house to see if he knows anything, and Sookie reads his mind and becomes aware he's hiding something. She questions him about Warlow and finds he doesn't know anything, and then large woman hits Sookie over the head with a frying pan and tells Bud to grab her body.

At the police station Jessica tells them that Hoyt is not apart of the supernatural hate group and that he tried to save her from them. She tells Jason that she's worried something has happened to him and he promises to find him for her. Deputy Kevin Ellis finds a website that Junior frequented called 'Keep America Human', on which are videos of the hate group in their Obama masks tying vampires to posts in daylight. On the video they chant long live the Dragon and Andy is reminded of Cleetus Boathouse, a former Klansman who died 20 years ago, who went by that name. Andy and Jason wonder who the new Dragon might be.

Terry leaves home and tells Arlene that he is going to find Patrick. Arlene begs him not to go for her sake and their children, but he tells her that they have to have a fair fight, and that they're the only reason he's fighting.

At Fangtasia Tara walks into Pam's office with four boxes of Tru Blood. Pam asks her what she is doing and Tara says that they have to start reserving their stock now that the Tru Blood factories have been destroyed. Pam tells her that they will keep selling to stop their vampire customer feeding off of their human customers and puting them out of business. She says that when they run out and they'll just have to pretend they're still drinking it to keep up appearances.

Eric confronts Bill and tells him his Pro-Lilith facade isn't going to fool Salome much longer. Bill informs him it's not an act, and that he believes in Lilith, but Eric reminds him that he is a true mainstreamer, and that his relationship with Sookie is proof of that. Eric tells him that they need to escape the next day by procuring Salmoe's blood to open the security doors.

Andy addresses the press about the hate group but can't reveal too much about the investigation. As he concludes his statement Sam and Luna arrive at the station and tell Andy they went back to the basement and got the scent of pigs. While Andy appreciates their help he tells them they're in danger and that they should go home and let him do his job. Irritated, Sam and Luna turn themselves into flies so that they can wait in the station overhear any developments about the case. Later, Andy notices one of the member in the hate group video is wearing the cowboy boots Bud was given at his retirement party, and they believe Bud is the dragon. Jason and Andy break into Bud's place and Jason remembers that Bud's wife's family owned a pig farm.

As Alcide drives he has a flashback to being a teenager. He's being taught by his father what it means to be a werewolf and the importance of being in a pack. A group of young wolves, including Alcide are given the option of choosing their human or wolf side as they go forward in life, and they all choose pack. In the present we see Alcide is driving to Jackson.

Arlene opens up Merlotte's and is confronted by Patrick who holds her at gunpoint. He tells her to ring all the employees and tell them that they are closed, and that he won't kill her if she does what he says. Terry arrives at Merlotte's and finds Patrick sitting in a booth with his gun at Arlene's head. Terry wants the fair fight, but Patrick says he's wife's pregnant and that he has to kill Terry for his family. Terry gets down on his knees and puts his hands behind his head so that he doesn't hurt Arlene. Patrick pushes her away and is about to shoot Terry when Arlene stabs him in the neck with a hairpin. The two men scuffle, and Patrick gains the upper hand, but Arlene retrieves the gun and points it at Patrick's head.

While in bed together, Salome tells Bill that they are chosen to bring about a new world. Bill asks her what if he didn't want to be chose, and she tells him that SOMETHING. They begin having sex and Bill sees her as Sookie and bites her until she dies. He then sees her as Lilith, before he again sees her as Salome. He has bitten her and has her blood in his mouth.

Sookie awakens tied up in a pigpen, and she sees Hoyt lying in the one across from her. Bud and the other members of the hate group confront Sookie, and he tells her that when he was Sheriff there were hundreds of unclosed cases due to supernatural beings and that something has to be done about them. The large woman that hit Sookie, Sweetie, boasts that they are doing what is right and are taking back America from the supernatural beings, and reveals herself as the Dragon. They then force Sookie to drink some ginger ale laced with oxycontin, planning to let her and Hoyt be eaten by the pigs. Before they can put Sookie into the pen with them though, Sam, who had shifted into a pig, shifts back and takes on the hate group. Sweetie runs away, and Andy and Jason arrive. Andy pulls his gun on Bud, and when Bud makes a move at Sam with his shovel Andy shoots him in the chest. Luna chases down Sweetie and beats her. After Hoyt is taken to hospital and all the group members are arrested, Sam and Luna decide to go get Emma.

Terry has his gun pointed out Patrick, and Arlene tells him he has to kill Patrick for their family. Patrick tells Terry that the reason they're in this situation is because Terry blindly followed orders, and that he needs to do what is right. The Iraqi woman appears telling him the same thing, and he shoots Patrick. The Irqai woman says that blood has been paid with blood, and summons the Irift which appears and takes Patrick's body.

Russell decides to show Steve his wolf pack. Russell tells him of their undying loyalty as pets, and Steve laments he never had a pet. They walk into a barn and Russell congratulates JD on becoming pack master. He then proceeds to bite his own wrist and the wolves flock to him for a drop of his blood. He notices Martha there, who is holding Emma. When Martha says she'll never drink from Russell, he grabs Emma and gives her to Newlin as his first pet.

In Jackson, Alcide arrives at his father's trailer. His father is watching a horse race and Alcide asks him how much money he put on the race. When he says he's entire pension check, Alcide scolds him, but then reveals that that is not why he is there. He tells his father that he lost pack master and has been abjured. He is now a lone wolf just like his father.

At Fangtasia, Pam sees a vampire sitting on Eric's throne while feeding on a human. She confronts him and tells him that it's prohibited to feed on humans in the bar, and that only the sheriff can sit on the throne. He replies that the Vampire Authority has lifted the ban on public feeding, and that Eric is finished, and that he is the new sheriff of Area 5. He throws Pam across the room, and Tara runs to help her. The vampire tells all the other vampires in the bar to drink from the humans.

Back at home, Sookie is visited by the faeries who tell her vampires are responsible for the Tru Blood factory explosions and that they want to take over the world.

Eric tells Nora that he wants to believe in Lilith but has difficulty doing so, and Eric asks her if she will help him. He takes her to the main foyer, and Molly arrives. The pair drug and Nora and are about to escape, but Eric wants to wait for Bill. He arrives and Molly proceeds to open the security doors, but Bill has betrayed them and Salome is standing in the elevator with several guards who handcuff Eric and Molly. Eric is seething, and Bill tells him he has been chosen by Lilith.

Rating: 3/5

Breaking Bad Recap & Review 5.4: Fifty-One


Life's good for Walter White. So much so that he treats himself and his son, Walter Jr., to brand new cars on the eve of his 51st birthday. Oh, if it wasn't for his pesky wife. Skyler realises that she's stuck in this awful situation with Walt, but now she's worked up the courage to tell Walt she doesn't want her children in the same environment. Being the man he is, Walt ensures Skyler his they're safe from danger, but as Skyler cleverly recalls, isn't Walt the danger?

Let's just say I think Skyler has been taking lessons from Walt in trying to get what she wants, and she decides to pull a cool pool party trick at Walt's birthday, that involves walking into the pool fully clothed and remaining underwater until your husband has to jump into the pool to stop you from drowning. Hank and Marie are understandably concerned, and while they don't think Skyler was actually trying to kill herself, they agree that she wanted there attention and that she needs help. Marie suggests taking Walter Jr. and Holly for a while so that Walt and Skyler can have their space, and Marie tells Walt it was Skyler's idea.

So Skyler's plan works, but Walt's certainly not happy about it. Skyler wants her children safe and away from Walt, but he wants his family, after all, hasn't everything he done been for that? So there's no way he's going to let Skyler keep them away. He asks her what her next move is, she says she'll hurt herself, he's says he'll get her committed, she's says she tell everyone he beats her because of her affair. Being the chess master that he is he knows Skyler has no more moves, bringing Ted into the game would lead to a police investigation, and neither of them want that. Skyler admits she's powerless against him, and I must say I love her all the more for it. She tells him she'll just bide her time until his cancer returns. So while Skyler plays the waiting game, it'll be interesting to see what move Walt will make against her next.

At the Houston office of Madrigal Electromotive Lydia  receives a tip-off call from Mike and seconds later the DEA arrive to question. She leads them to Ron Forenall who is arrested. Lydia calls Mike to tell him that the methylamine transport will be cut off due to Ron's arrest. Mike informs he'll send someone else, Jesse. Later he arrives to retrieve a barrel of methylamine from a hesitant Lydia. While lowering the barrel Lydia finds a GPS device attached to the barrel. Mike calls Walt in and Jesse tells Mike about the GPS device. Mike believes it was Lydia, attempting to get out of their business and prepares to leave to kill her but Jesse stops him and makes a vote of it. Walt tells them that the cooks must not stop under any circumstances.

After the meeting, Jesse gives Walt a nice looking watch as a birthday present, what a nice guy, and the receipt too, what an even nicer guy. Walt returns home and shows it to Skyler, telling her that Jesse wanted to kill him recently, but that now he's buying him watches. Walt tells Skyler he changed his mind about him, and that she will too. And as with all things Walt says now, what is meant as a reassurance has a threat cleverly disguised underneath.

Rating: 3.5/5

Damages Recap & Review 5.4: I Love You, Mommy


Having dinner at a restaurant with an old friend, Roger Kastle, Patty is offered a job in the supreme court, but she says she'll have to wait until McClaren case is over. He invites her to a weekend away with him at his holiday house, and she's laughs hysterically in response.

On their way to work, Ellen's mother Denise finally reveals why she has moved in with her: her husband Gary is starting to scare her. Parson family drama is so boring, and having Ellen and Denise both be so stubborn as to not address the problem for an entire episode seems pointless and unnecessary.

It was only a matter of time until we witnessed a hacking scene from McClaren, and we got one as he attempted to hack into Samurai Seven's computer to obtain the information he has on Princefield. Let the hack war begin! Despite McClaren music pumping in the background, the scene wasn't all that exciting, and just as McClaren thought he had the information, Samurai fought him off.

At Hewes and Associates Bill questions Jake Stahl, an attorney interested in cyber law. Bill is unimpressed by his qualifications, but Jake reveals that Patty has already hired him. She needs him to get access to Princefield's servers to find out whether or not they have been tampered with to figure not whether or not it was actually Noami Walling responsible for the leak.

Patty goes to the SEC to gain access to the servers and she is turned away, so she goes on the attack and decides to take the case public. On 'The Last Word With Lawrence O’Donnell' on MSNBC, Patty tells the world that McClaren sexually assaulted Naomi Walling.

Ellen organises a hearing with Judge Gearheart to discuss Patty's accusations, and he issues a gag order on the case from both of them. Ellen is irritated that now she can no longer respond to Patty's allegations about McClaren, and tells Gearheart that the gag order was exactly what Patty wanted, but he ignores her.

Rutger and Gitta attempt to go behind McClaren's back to pay for the information on Princefield from Samurai Seven, but he wants $500,000 and McClaren's only financier refuses to pay. Rutger then turns to Ellen, and after a warning from her accountant, Ellen agrees to give them the money.

At a cafe, Michael (where the hell has he been?) is being interviewed and is short of horrible things to say about his mother, including that the McClaren case is all about her crushing Ellen.

After many hilarious misinterpretations of Katherine and the man with the sword who lives in the garbage can, Patty finds Samurai's message on her computer. With Jake's help, she too, agrees to pay Samurai $500,000 for the Princefield information.

Patty gets a call from Roger, who tells her to turn to page 38 of the latest issue of American Lawyer. There Patty sees Michael's interview about her. She tells Roger she is not concerned, and he tells her that she made a career going after bullies, but that if she's only on the McClaren case to best Ellen that she better be careful or it could blow up in her face.

At Ellen's office, Ellen shares a drink with Michael telling him that his interview will get people to question Patty's standing in the legal community. Michael tells her he needs to know that his custody case in going to move forward. Ellen says she will give him her testimony, but that he just has to be patient, to which he replies he's not going to wait forever.

Patty and Jake meet with Samurai and once they've transferred him the $500,000 he gives them a USB containing the Princefield information. They leave, and Samurai remains there waiting for Ellen's arrival. Ellen and Gitta arrive and again they transfer him $500,000, but before he can get out of his car to give them the USB, he is attacked, and someone drives off in his car. The man later ditches the car and set's it alight, after retrieving the USB.

Rating: 3/5

Friday 27 July 2012

My Fall Television Schedule

So today ABC released the premiere dates for its fall schedule this year. Now I finally have an idea of what my purposed television schedule will look like, and I am simultaneously both very excited and horrified. Excited that some of my favourite shows are returning (like Boardwalk Empire and 30 Rock) and that I finally get to check out some of my most anticipated new shows that I hope will become my favourites (like Nashville and Revolution). Horrified because I don't think I've ever tried to watch so much television in my life. I've only just gotten into downloading and this is my first 'season' in which I'll actively try and keep up with shows that are airing in the US instead of waiting for them to air here in Australia. Further horrified because, by looking at my proposed fall television schedule I already know several of these shows are going to fall by the wayside and that I'll have to watch them at a later date, or god forbid, drop them entirely off my 'to watch' list. My difficulties are different to those of most in that it's not about how much program are on at once, or how much space I have on my DVR, more so what will I have time to download and watch every week. Anyway, here's what my schedule looks like at the moment.


MONDAY:

Timeslot:                      Television Program                  Network          Premiere Date:
8.00pm - 8.30pm:           How I Met Your Mother           (CBS)               24/ 9
8.30pm - 9.00pm:           Partners (New Show)               (CBS)               24/9
10.00pm - 11.00pm        Revolution (New Show)           (NBC)              17/9

Mondays fairly easy. I already know I probably won't watch Partners, but it's the only new comedy that I think I might enjoy, so I'll at least try and check it out. If I lived in America I would just keep watching after How I Met Your Mother, but because I have to download it and can see myself not bothering. I only recently started watching How I Met Your Mother, and again, I'm not so worried about missing comedies, so I'm happy to wait until this airs in Australia rather than downloading it. I'm definitely watching Revolution though, one of my most anticipated new shows.


TUESDAY:

Timeslot:                      Television Program                  Network          Premiere Date:
9.00pm - 9.30pm:           Happy Endings                          (ABC)              23/10
9.00pm - 9.30pm:           New Girl                                      (Fox)                25/9

Tuesday looks to be the easiest night of the week for me. I definitely watching Happy Endings, and while I like New Girl, I'm happy for that to wait and air here in Australia. That being said, I still have plans to catch up on Don't Trust the Bitch in Apartment 23, and if I like that, I'll add it to the list. Similarly, I've always wanted to get into Private Practice, and with this season likely to be it's last I might consider checking it out. Furthermore, there's heaps on new comedies premiering on Tuesday nights, six if I count correctly, and since I haven't been hooked by any comedies in recent times if I here consistently good reviews about any of these I might start watching.

WEDNESDAY:

Timeslot                        Television Program                  Network          Premiere Date
9.00pm - 10.00pm:          Supernatural                             (CW)                3/10
10.00pm - 11.00pm:        Nashville (New Show)             (ABC)              10/10

Wednesday is a fairly easy night, too. I'm definitely watching Nashville, and I'm fairly certain I'll keep up to date with Supernatural providing I don't become overloaded with other stuff to watch. Arrow is getting quite a lot of hype recently though, and I'm afraid I'm going to have to add that to my list. And don't judge me, but I'm also quite curious to see how The Neighbors will turn out.

THURSDAY:

Timeslot                       Television Program                   Network          Premiere Date
8.00pm - 8.30pm:          30 Rock                                        (NBC)               4/10 
8.00pm - 8.30pm:          The Big Bang Theory                 (CBS)                27/ 9
8.00pm - 9.00pm:          Last Resort (New Show)            (ABC)               27/9
8.00pm - 9.00pm:          The Vampire Diaries                  (CW)                11/10

Here's where things start to get interesting. Not only have I got four shows on one night, they're all on at the same time (sometimes I am lucky to live in Australia). I'm definitely watching 30 Rock for it's final season, and Last Resort is one of my most anticipated new shows. I'd like to watch The Vampire Diaries and The Big Bang Theory too, but if it all gets to much, I'll wait until I have some more time for The Vampire Diaries, and just wait for The Big Bang Theory to air in Australia. Unfortunately, Thursday is also the day of shows I've been wanting to watch for a while but haven't gotten around to. I'm just about to finish Scandal, and I had planned to catch up on Person of Interest. Similarly to its spin-off Private Practice, I've been meaning to watch Grey's Anatomy too. I don't think I'll get around to any of these though.

FRIDAY:

Timeslot                       Television Program                    Network          Premiere Date
9.00pm - 10.00pm:         Fringe                                          (Fox)                  28/9

Friday seems easy enough, but I'm fairly certain that I'll also be adding either Nikita or Grimm, or both, to this list considering I have their entire first seasons taking up space on my DVR, so they desperately need watching.

SATURDAY:

Maybe I could go outside and have a life or something? I dunno, it better be full of interesting characters and past-paced plots.

SUNDAY:

Timeslot                      Television Program                        Network         Premiere Date
9.00pm - 10.00pm:        Boardwalk Empire                         (HBO)             16/9
9.00pm - 10.00pm:        Dexter                                               (Showtime)     30/9
9.00pm - 10.00pm:        Revenge                                            (ABC)             30/9
9.00pm - 10.00pm:        The Walking Dead                         (AMC)            14/10
10.00pm - 11.00pm:      666 Park Avenue (New Show)     (ABC)             30/9
10.00pm - 11.00pm:      Homeland                                        (Showtime)     30/9

Where to begin on what most people consider to be the best night of TV in recent years? Reading through the days I could understand why some viewers may have thought I was overreacting with the amount of television I have to watch, but as you can see, Sunday is the major problem. Unlike other days where I've considered watching a show later or dropping it, that's not really an option here. Cable shows take even longer to reach Australian shores than network ones, and all of these are critically acclaimed and are heavily discussed online, so if I watch them later, chance are I would have been spoiled by the time I got to them. Boardwalk Empire, Dexter and The Walking Dead are a must. I've got friends that watch the, and they're discussed on much online that I can't afford to miss them. I enjoy Homeland, but I'm happy to watch that later. As for Revenge, if it gets to the point where I have to drop it I will, and the verdict's out on 666 Park Avenue until I've actually seen a couple of episode. Furthermore, Sunday nights has The Good Wife and Once Upon A Time, another two popular and well-received shows that I've been desperate to catch up on and just haven't found the time. And don't get me started on Fox's animation block. I enjoy The Simpsons, Family Guy, and American Dad, but for the sack of my sanity I'm going to have to pass.

For a full list of the main television networks schedule check out this Wikipedia page:
http://en.wikipedia.org/wiki/2012%E2%80%9313_United_States_network_television_schedule

For a full list of all the main television networks premiere dates check you should check out tv.com, and if you haven't already you should make your own fall television schedule lineup here (it's fun and helpful):
http://www.tv.com/features/upfronts-2012/

So there you have it folks. I plan to watch 17 television shows a week (Lord give me strength), at a total of 15 hours. And if you managed to read through everything, there's about another 14 shows waiting in the wings that I would like to watch at some point. It's impossible, I know, so for the time being I'll try to lower it down to the ten shows I will watch this coming season:

Boardwalk Empire
The Walking Dead
Nashville
30 Rock
Happy Endings
Revolution
Last Resort
Dexter
666 Park Avenue
Supernatural

That being said shows like 30 Rock and Fringe only have shortened thirteen episode final seasons, and all the cable shows generally only go for twelve episodes. Obviously the shows don't all start airing at the same time either, the first show starting being Boardwalk Empire (16/9) and the last being Happy Endings (23/10). Plus there's always a high chance that new shows I watch will get cancelled... so maybe once all that happens I'll be able to cram some more hours of TV in, if I'm not brain dead by then.

Give yourself a part on the back if you read through all of this, I very much appreciate you taking the time to do so. So what do you plan to watch this fall? Any painful clashes, or are all your favourite shows on exactly when you want them to be? Let me know, I'd love to here them.

Thursday 26 July 2012

I Smell a Spin-off: Sam Merlotte's Shifty Business


Original Show: True Blood

Spin-off Idea/ Description: After selling his bar, long-time Bon Temps resident and shapeshifter, Sam Merlotte (Sam Trammell) decides it's about time he got away from all the crazy supernatural beings, and went and travelled America. He buys an RV and starts travelling, but soon realises that it's not so easy getting supernatural beings out of your life when you are one. Having experience in such matters, as Sam travels from town to town he starts helping people with their supernatural troubles, whether it a young boy coming out as a shifter, or scaring off a persistent vampire, Sam quickly learns the people of America need his help, and he's happy to provide a helping hand (or paw).

Possible Title Ideas: Shifty Business, Shifter, Drift & Shift, New Moon Rising, Howling for You.

Idea originted from: Sam's season five storyline in True Blood. Two of Sam's shifter friends are found murdered, and wooden bullets with a silver interior are found at the scene, implying their killers are hunting down supernatural beings. Later Sam and his girlfriend Luna, who is also a shifter, are shot, but survive the incedent. Sam convinces Sherriff Andy Bellefeur to let him help him in the invetigation because of his heightened senses, and during the investigation his abilities save Andy's life, and he smells out clues that help him indentify the masked killers.

Format: Monster/ Case/ Lesson of the week.

The show would be similar to: True Blood, Supernaural, Grimm and Scooby-Doo.

How could it be written out of it's parent show?: Sam would have to have a legitimate reason for selling his bar and wanting to leave Bon Temps. At this stage of the series, halfway through the fifth season, if his girlfriend Luna is killed by the supernatural beings hategroup, and he realises that Andy and Jason are hesitant to prosucute the men because of they shared dislike of supes, he may leave town, having become aware that he will never be truly accepted for who he is.


Will it feature any stars from it's parents show?: Sam Merlotte of course. I also suggest he take another minor True Blood character with him so that's it's parent show can focus more on its main characters rather than continously developing boring sideline plots. Hoyt, Terry and Alcide would all work well in my opinion, but I'd choose Hoyt Fortenberry (Jim Parrack). He'd be Sam's slack-jawed but lovable side-kick that Sam constantly has to get out of trouble. Plus, Hoyt could have his own story of redemption. After the events of True Blood's fifth season and his involvement in the supernatural beings hategroup, he can't face what he tried to do to his friends, and leaves with Sam to help him help other supes in need in attempt to right his wrongs.

How about any guest stars?: I could see that happening, but not often. A show like this would need to stand on it's own two feet, mostly seperate from True Blood.

Possible plot ideas: Other than helping everyday people with their supernatural (vampire, werewolf, were-panther, maenad, witch, ghost, or otherwise), problems, and Hoyt's redemption, I could see Sam running into people from his past, like some he met at Maryann's or after he was abandoned as a teenager. His adoptive parents could show up and some point, too.

Target Audience: This would target True Blood's audience, obviously, but be slightly more skewed to the young male demographic.

Could it work as a show?: I think it could. It's monster/ case/ lesson of the week format has proven time and time again to be popular with viewers. Plus, like many other procedurals, it has the oppurunity to have famous guests stars on every week to get viewers watching. I can see it now: Sam and Hoyt must help a woman (special guest star Kathy Bates) with her supernatural alligator problem.

Could it ever actually happen?: No. True Blood is based off a series of novels by Charlene Harris, and Sam Merlotte is a fairly important character in those novels. True Blood would have to finish, and the Charlene Harris would have to give the go ahead for Sam to have his own spin-off, which will never happen.

I Smell a Spin-off


Welcome to what I hope will be an occasional segment on my blog titled I Smell a Spin-off. For those who aren't aware of the concept, spinoffs are when part of a successful show, usually characters, but sometimes a general concept, are taken and given a second show of their own.

From a producer's perspective, it's a chance to explore other aspects of a concept. Actors can find opportunities to grow in their craft, as well as rise in importance by moving from just being part of an ensemble to having a show built around them. For the networks, it's a chance to establish a show with a built-in audience, making it that much easier for them to sell advertising. And for audiences it's an opportunity to watch a show that expands on the characters and ideas of a program we already love and watch.

Television fans can be an obsessive bunch, and since the rise of online media and forums, now more than ever fans have the ability to voice what they think a good spin-off of their favourite television program would be. At one stage or another most long-running and successful television shows, whether the idea of the writers or network executives, or yes, even the sometimes over obsessed fans, consider the creation of a spin-off.

One of my favourite television shows of all time, Angel (above), is a spin-off from Buffy the Vampire Slayer that lasted five seasons. Angel, a popular and well known character on Buffy, and one half of the famous lovers, left the show at the end of season three, hoping to give Buffy a normal life. He moved to Los Angeles and attempted, with the help of new characters and old, to redeem himself for his past mistakes as a vampire buy helping the helpless through a supernatural detective agency. While it maintained some similarities to its parent show, including its humour and monster-of-the-week beginnings, spin-offs have the ability to become something not only apart of, but more than, it's parent show.

Anyway, as a TV nut, I often see promise in minor characters, plots, and situations that just aren't given as much attention as I'd like in the grand scheme of some television shows. That's why, with my I Smell a Spin-off segment I plan to highlight these ideas and give them a little justice by creating a mock spin-off for them. Things I'll be discussing will include: what characters will be involved, possible plots, how it will link from it's parent show, and most importantly, could it ever actually happen? I hope you all enjoy reading these, and please feel free to post your own spin-off ideas in the comments. I'd love to hear them!

Wednesday 25 July 2012

True Blood Recap and Review (5.7: In the Beginning)


After Sookie's outburst at the end of last week's episode, because she discovered that her parents were killed by vampires, she awakens in the faerie club after being examined by Claude and his sister. They inform her and Jason that she is only half-faerie and that she needs to be careful how she uses her powers, because she could run out. Although why the faeries are suddenly so concerned with Sookie and whether or not she keeps her powers is beyond me. The next day, Jason brings her breakfast in bed, and tells her not to feel responsible for their parents death, which of course is exactly what someone is going to do when you tell them not to. She goes and visits Luna in hospital and brings her flowers, but what she really wants is to have a hypothetical conversation with Sam in which she asks him if he had the opportunity to be human, would be take it. I suppose that the writers had to show Sookie debating over whether or not she should try and remove her faerie half and her powers in the process, but there was never really any debate. After everything Sookie's been through, of course she'd want to get rid of her powers (although, yes, she is extremely naive in thinking that getting rid of them at this stage of her life will benefit her at all. She's too far in, I'm afraid.) Anyway, after an episode of deep thought (don't strain yourself Sookie) she dramatically begins to expel light form her hands in an attempt to drain her powers outside her house.

Russell's imminent return and escape is what True Blood fans have been waiting for this entire season, but unfortunately this is paired with what has to be one of the shows nonsensical plots, as it continues to spiral into complete and unnecessary craziness. It starts off well: Roman is dead, and the the Authority goes into lock down, the lights are cut, the everyone panics. Immediately guards storm the room and subdue Russell with a silver net. Bill and Eric are taken back into captivity, and as they ponder who used them to find and bring Russell to the Authority to kill Roman, Salome summons them. In her chambers they find not only Nora, who pleads with Eric to forgive her, but Russell as well, who claims he has been reborn and found faith in Lilith. Salome reveals she dug Russell up (Really? True Blood fans had no idea) because he was the only vampire powerful enough to kill Roman. Apparently there was some important reason why she or Nora couldn't do it, and it made absolutely no sense whatsoever. Now that Salome's running things she wants to share their power with everyone, but having been used and all, Bill and Eric aren't interested. She invites them to a ceremony the following night anyway, and surprise, surprise they agree to go. At the ceremony, Russell continues to praise Lilth, and Salome tells the other members of the Authority that they didn't evolve from humans as Roman believed, but from Lilith, and that her blood wasn't meant to be kept sacred, but rather shared and that they should all drink Lilith's blood. Chancellor Dieter says that that is blasphemy, and Russell decapitates him. No one else in dumb enough to refuse, so they all drink her blood, including Bill and Eric, who can't see the harm in playing along, and the horribleness begins. While for the sake of the story Bill and Eric needed to be there, for the entire season they've been extremely susceptible and passive in every situation they've been in, even when it's been against their better judgement. It was so annoying because after Roman's death they were free, why did they have to stick around? The group, high on Lilith's blood, roam the streets in a drunk like state, only stopping to intimidate a cab driver that honks at them with their fangs. They crash karaoke at an engagement party and proceed to kill all the attendees. On the stage, a drop of blood hits the ground and  a nude, blood-drenched woman appears: Lilith. She walks over to Nora and releases a red mist from her mouth, which hits Nora and makes her continue to forcibly feed on a human; the other vampires act similarly. And if things weren't bizarre enough, Godric, Eric's deceased maker, appears as a ghost to tell his progeny that Eric knows what he is doing is wrong, but that he has to convince Nora so. Eric looks over to her and Lilith has vanished. The religious overtones of the Authority storyline annoyed me from the beginning, especially because similar themes were dealt with in season two, but now it's just plain stupid. Who knows what Lilith's plans are, but at this stage I don't really care, because everything up until this point of the season hasn't made all that much sense. I doubt her sudden but inevitable appearance will actually reveal  or justify anything meaningful in terms of plot, and I just want to say, as Eric did early on in the episode: 'Fuck you, bible bangers.' Despite all this Russell remains awesome, and I so hope that he was only pretending to praise Lilith in an attempt to bide his time and come up with a plan to escape (although I have no doubt he too was under the influence of her blood).

At the weapons store, deputy Kevin questions Andy about Junior's death, while Sam uses his acute sense of smell to sniff out clues (I smell a spin-off!). Sam tells Kenya, another officer, to open a box he finds sicne she has gloves on. When she opens it, they find it full of the Obama masks the shooters have been using. I'm really liking Sam investigating/ hunting down these supe killers, plus he doing a way better job than Andy. After a long period of doing nothing in particular his character seems to have found a real purpose and energy, and it shows in the storyline. Meanwhile, Andy visits the previous sheriff, Bud, because he's concerned that he's not doing a good job (you made Jason Stackhouse one of your deputies Andy, do you think you're doing a good job?). Bud however, is too busy cheating on his wife to care. Similarly, Hoyt seems to have instantaneously stopped caring about Jessica now that he's drinking beers with his new hate group friends. Hoyt tells them how much support he feels they've given him even though he only met them half-an-hour earlier, and the just generally discuss how supernatural beings ruin everything until one of them gets a call from their leader named 'Dragon' (how dangerously mysterious) telling them that Junior has been killed. In an attempt to avenge their fallen comrade, the group decide to go out on another mission, and invite Hoyt along with a throw of an Obama mask. I'm honestly starting to wonder how I ever liked Hoyt, he's become such a shadow of his former self unfortunately. At the hospital, a nurse tells Sam visiting hours are over. As he goes to leave he catches the smell of one of the supe killers he picked up from the weapons store. He's disguised as an orderly and Sam chases him down, knocks him to the floor and punches him in the face.

In a barn, Alcide and Nikki train, and Alcide tells her he's prepared to lose against JD in his fight to become packmaster. She suggests using vampire blood to even the playing field, but Alcide angrily refuses. The pair start kissing, but are interrupted by Martha who tells Alcide that JD denied taking vampire blood, and that it's JD's turn to be packmaster considering he had enough respect to allow Marcus to be alpha after Marcus' father died. Later, JD tells the pack that his vampire friend (Russell) told him that the end of days is coming, a fight between humans and vampires. JD tells them they should join the vampires and that the only way they will trust them is to drink Russell's blood. A female wolf agrees and drink a vial, and Emma tells JD she's scared. He offers her another vial, telling her it will make her strong, but Martha walks in as he does so, taking Emma away. We weren't given much from Alcide this week, but Nikki could be developed into an interesting character, and Martha would be very fun to see as a woman scorned. Also, I'm straight, but Alcide and Nikki rolling on the ground, well there's a two perfect looking people having fun for you.

When Lafayette's mother Ruby-Jean told him last week that he had to go and safe Jesus from Don Bartolo, his grandfather, I rolled my eyes. However, the storyline was relativity painless and definitely entertaining. Layette returned to Jesus's family home to find Jesus' severed head with his mouth sewn shut (so that's who took his body, thanks for finally clearing that up, True Blood). Bartolo confronts Layaette with a gun and reveals he used Jesus head to lure him there, so that his family can take back the powers Jesus gave him. Later, Layette has been tied to a chair and has had mouth sewn shut (I would have loved to have seen that happen, it would have made things a lot more scarier). Bartolo begins a ritual that is somehow supposed to transfer Layette's power into his wife's girlfriend. Just as Bartolo started to cut Lafayette, his pregnant girlfriend  rose from behind him and stabbed him to death, and then proceeded to cut Lafayette's lips free. I have no idea where this is going, But I feel Lafayette going to feel indebted to this pregnant lady, and her hopefully not too evil future spawn.

At Fangtasia, Tara, previously failing at being a successfully bartender, is now a pole dancer for Pam. I hoped at the beginning of this season that Tara's resurgence as a vampire was going to be the well needed transformation her character needed, but unfortunately, it's done the opposite. Whereas, I used to dislike Tara for her constant complaining and hypocrisy, at least she stood up for herself and did something about it when she didn't like the way she was being treated. Now she's just Pam's immortal slave, and watching Tara, who has eternally been True Blood's punching bag, enthusiastically shake her stuff fro Fangtasia's patrons was just plain sad. Her mother, Lettie Mae, arrives to tell Tara that because she's a minister's wife that she cannot have a vampire for a daughter, and that she has come to say goodbye. I seriously doubt Tara would have gone to any effort to seek out her mother before this, but knowing that her being a vampire threatens her mother's happiness, Tara shows her her fangs and threateningly tells her that she'll be seeing her again. Overhearing their conversation, Pam smiles proudly at Tara's response. Unfortunately, not only is Tara been continually mistreated, but Pam had been stuck with her all season, and given nothing but the reluctant maternal mother to play. She finds Tara crying over her mother's visit in her office and Pam tells her that Lettie Mae is no longer her mother now that she's a vampire, and that in a hundred years Tara would have forgotten about her. Tara quickly hugs her, but Pam ruins the moment by telling her to get back on the pole. Pam was fast becoming my favourite character on True Blood before this season, but the way she interacts with Tara has become painfully predictable. Every episode this season Pam offers Tara some sentimental motherly advice, realises what she's doing, and then proceeds to act like a complete bitch to compensate for her momentary lapse of character.

Arlene cries as she watches her wedding video at Merlotte's. Holly comes in to comfort her and tells her that her and Terry could always work things out, but Arlene says he's crazy. Holly reminds her that Arlene can't really be sceptical, this is Bon Temps after all. I enjoyed watching Terry and Arlene's wedding video, considering we missed originally. I'm so annoyed of Arlene though, she's such a hypocrite, and most people wouldn't have needed a 'why don't you think again speech' from Holly the witch to realise something supernatural might actually be happening. Duh! Anyway, the Irift was still after Patrick and Terry, and it looks like it will be for some time, deciding it would rather appear and laugh at them, making fun of their impending death, than actually killing them. Why won't it put us and them out of our misery's? Terry tries to kill himself with Patrick's gun, but Patrick convinces him that he wouldn't want his kids thinking he gave up on them. Wasn't much to this plot this week, but it still manages to be the most uninestering and unimportant one going around.

A drunken Jason arrives at Jessica's mansion looking for some consoling after the discovery about his parents death, unaware that she had a male snack bleeding from a thigh upstairs. Jessica tries to convicne him of the goodness of some vampires by making out with him, but it didn't work so well with some guys thoigh blood still on her lips. Jason then yells at Jessica and tells her she's no different from the vampire that killed his parents. Angrily she bites down on Jason's neck and Jason then shoots her in the head. They both quickly heal, and he storms out. Well Jason you can't have it both ways, either you hate vampires, or you don't, and you can't have one for your best friend if you do. And isn't Jessica sick of stringing him along already? Does she have any self-control, and if so, why doesn't she let Jason go? He's better without her and she knows it. Anyway, from outside Jessica's Jason sees Sookie going all flashes of light and runs to investigate her emotional outburst.

Rating: 2/5