Wednesday, 19 December 2012

Homeland 2.12 Review: The Choice


One of Homeland’s greatest strengths for me as a viewer has been its ability to make the relationship between its two leads ambiguous. Are they really in love with each? Or is one (or both) of them playing on the emotions of the other for the sake of their job? ‘The Choice’ removed this uncertainty and presented Carrie and Brody as two people deeply in love with each other, and while Danes and Lewis have continuously proved their great acting skills, Carrie and Brody in the throes of a new romance does not make for interesting viewing. In fact, watching the pair of them return to the cabin in which their elicit relationship first begun was rather painful to watch. There was juggling of potatoes, deep and meaningful conversations about absentee mothers, deep and meaningful conversations about their future as a couple, sex, and croissants, all in that order. Thank god Quinn was hovering in the background ready to kill Brody on Estes orders the second he was alone, just to keep thinks interesting.

Or not. Quinn approached Estes in his home and made it clear that he only kills the bad guy, and that Brody’s involvement with the CIA finally allowed them to kill Nazir, therefore Brody’s deal with the CIA should be honoured. As a character Quinn was a great addition to Homeland this season, although his sudden display of strong morals and affection for Carrie’s wellbeing seemed uncharacteristic, him threatening Estes was entertaining nonetheless.
Brody not being killed by Quinn allowed him to start moving on from his past and into a possible future with Carrie. He made Mike buy him a beer, thanked him, and basically told him now they that were divorcing that he could have Jessica (not a bad trade, if you ask me). Jessica too was trying her best to make headway in moving on, but the way in which she unceremoniously removed all of Brody’s clothes from their room, and made certain that he came to get his suit for Walden’s memorial while she wasn’t there makes it clear there’s still some animosity towards him. Dana walking in on her father changing was a superb call back to the season one final, although Brody’s decision to tell her that he had planned to detonate a suicide bomb seemed unrealistic, although perhaps it was representative of Brody’s continued attempts to move on. He no longer needs to lie because that part of his is now over and he has no purpose in continuing to hide it.
Estes, having hidden Saul in the CIA for three days, had no reason to hide him any further either, with Brody’s assassination cancelled. Once free he and Carrie, who had some decision making of her own to do in regards to her future with Brody, had a talk in the best scene of the episode. Saul told her she was in line to be the youngest station chief in the history of the agency, to which her response is understandably conflicted. Saul gives her the harsh truth: she can do whatever she wants, but an intelligence officer for the CIA can’t, and that she’ll be throwing her life away for a terrorist if she stays with Brody (which seems quite the contradictory thing for him to say considering he just spent three days locked away for his attempts at trying to stop Brody’s assassination, but the scene was gripping regardless).
Saul headed off to oversee Nazir’s sea burial, and Carrie and Brody attended the beginning of Walden’s memorial before sneaking off to Saul’s office where Carrie told Brody she had made her decision to be with him, before Brody noticed someone had moved his car. Before Carrie could say ‘Fuck!’, an explosion ripped through Langley incinerating Walden’s memorial service and knocking Carrie and Brody over. Homeland’s suspension of disbelief has come under heavy scrutiny recently, and I’ve no doubt that the occurrence of a major explosion within a CIA facility will garner a similar response, but I much prefer a Homeland that takes risks and throws everything into question in the second half of ‘The Choice’ over the incredibly tedious first half.
That being said, the explosion is the catalyst that will see Homeland into its third season, and if the questions and atmosphere of the second half of ‘The Choice’ is anything to go by, I’m extremely hesitant as to where the show is headed. The decision to once again place Brody as a prime suspect for the attack just seems exhausted, Carrie’s instantaneous response to blame him, while tense, is something we’ve all seen before. He tells Carrie that this could have been Nazir’s plan all along, that he orchestrated his Walden’s deaths in a master plan for revenge. And once again, Carrie’s easily convinced, and the pair leave Langley, Carrie provides him with money and a fake passport, before the star-crossed lovers say goodbye at the border, Carrie telling him she’ll clear the name of the presumed terrorist.
The problem with Homeland is that the presentation of a character or storyline is never clear cut, audiences think they’ve figured out who a character is or what has been happening, but the way in which Homeland continues aims to ensure us that you can never be certain, which leads to increasingly frustrating viewing. Regardless as to whether Brody, Nazir, the long talked about CIA mole, or even Saul or Quinn (yes, there has been heavy discussion online that even these two characters could have blown up Langley, such is the elusiveness of Homeland), is culpable, what’s certain is that Homeland will continue to entertain audiences next season, albeit in a very confusing way.
Rating: 3.5/5

Wednesday, 5 December 2012

The Walking Dead 2.8 Review: Made To Suffer


Rick, Daryl, Michonne and Oscar attempted to rescue Glen and Maggie from Woodbury this week, and despite some incredibly stupid decisions, and a rather unbelievably easy entrance and escape, things were relatively entertaining. Rick and Michonne are two very entertaining characters, but also both have quite frustrating demeanour's, and watching them squabble over how things should be done is increasingly annoying. Regardless, both were able to successfully get what they want through the use of an endless supply of smoke grenades. Rick was able to retrieve Glen and Maggie, although Oscar didn't survive, unsurprisingly, and Michonne was at least able to attempt to get revenge on The Governer, and their fight was the highlight of the episode.

The Governer's motivations are still a mystery, but at least this episode gave audiences a closer look at his psyche, and how far he's willing to go to stop 'the terrorists' who he thinks are desperate to take what he has created in Woodbury. His seething anger at Merle for lying to him about Michonne's death led to the exciting closing scene in which he decided to bit Merle against his long lost brother Daryl in a fight, presumably to the death. The shock on Andrea's face was another great moment, a woman whose seemingly new found perfect world has just been shattered by the shocking clash of people from her past and present.

Back at the prison Carl is being all adult and emotionless as usual, and presumed paedophile Axel is making the moves on Beth, but not Carol because she's totally a lesbian. In more entertaining news, a group runs into the prison seeking refuge, and while the beginning of the episode showed them struggling with trying to keep one of there own around after they've been bit, something I'm sick of watching, it's a necessary reminder about how far Rick and the others have come. While I'm hesitant for The Walking Dead to add even more characters, I understand their need in a show with such a high death count.

Rating: 3/5

Monday, 5 November 2012

George Lucas Sells LucasFilm to Disney

 
On October 30th 2012, Lucasfilm founder and Star Wars creator George Lucas announced, with Walt Disney CEO Bob Iger, that he had sold his production company to Disney for $4.05 billion dollars. Furthermore, in a joint video media release, Iger also reveals Disney’s plans to continue the Star Wars saga, with a new trilogy, of which the first film is expected to be released sometime in 2015. It is tent titled Star Wars: Episode VII, based after the events of Return of the Jedi, which was released in 1983, and it’s expected that every two to three years after that the two sequels will hit cinemas. Watch the video below:

 
It’s easy for many to say that Lucas’ decision to sell his beloved creation is an attempt to ensure a very nice retirement pay check, and that the Star Wars legacy, the one in which is name will always be synonymously tied to despite his lack of future involvement, will forever live on in cinematic and pop-culture history. However, after watching his interview, I can’t help but feel that his decision to sell LucasFilm is a genuine one. It does not solely come from a place of wanting monetary gain, as he has stated majority of the money he received from the deal will go towards his educational foundation and other philanthropic endeavours. Neither does it come from an egotist wanting to maintain his notoriety. As an aspiring writer myself I understand that a writers' creations can simultaneously be a product that they never want to see end, but are also the bane of their entire existence. Lucas has received much criticism for Star Wars since the release of The Phantom Menace in 1999, which must have been a perplexing experience for Lucas considering the overwhelming positive feedback the original trilogy garnered. What makes this even sadder is the knowledge of Lucas’s meticulous work ethic; that he worked so hard on all of his films, yet currently they recieve mixed to negative reactions since the conclusion of the last Star Wars film he made, Revenge of the Sith in 2005. As Lucas himself has stated: ‘Why would I make any more... when everybody yells at you all the time and says what a terrible person you are?’ It’s no wonder Lucas initially abandoned plans to make further films, but this way, Lucas’ creation is able to live on, and he is able to pursue his wish to undertake more experimental films, without feeling that he owes Star Wars, or it’s fans anything, without discrediting the image of the company he created. Not only that, but fans that were unimpressed by the Star Wars prequel trilogy can be optimistic that Disney has the opportunity to take the franchise in creative and exciting new directions.
But just how excited should we get? And what directions could we be expected to be heading in? Details from Lucas’ previously abandoned sequel plans suggest the next trilogy will be based twenty to thirty years after the end of Return of the Jedi, with the characters of Luke, Leia and Han playing pivotal roles. Popular theories online since the announcement of the new trilogy suggest the plot might borrow heavily from many novels based after Return of the Jedi in the expanded Star Wars universe. The most discussed being the original cast playing more of a supportive role to new, younger, central characters, most possibly Leia and Han’s children, Jiana and Jacen Solo, who have played a large role in the expanded universe, as well as featuring a new Jedi Order and Jedi Academy shown to be built by Luke in the novels. Obviously this is all speculation, but one assumes Star Wars won’t return without the presence of Luke, Leia and Han in some capacity, but will the actors be willing to return to the roles that made them famous, and even more importantly, are they in good enough health to do so? Mark Hamill would seem to be the most likely to return to his role, but he as aged considerably and would need to do a lot of work to get into shape for the film. Similarly, Carrie Fisher hasn’t aged all that well either, and her many personal problems  may keep her from returning. Harrison Ford has been the most successful of the three since the end of Star Wars, so he would have no need to return, and it has been stated that he wanted his character Han Solo killed off in the Return of the Jedi, so his return seems unlikely, unfortunately. But then again, he reprised his other most iconic character Indiana Jones In The Kingdom Of The Crystal Skull in 2008 so you never know.
Then again, Luke, Leia and Han could still easily appear in the next trilogy – played by completely new actors. This is where Disney’s acquisition of the Star Wars franchise starts to come under closer scrutiny. Technically they have the ability to do as they please with the continuation of the story, and as Disney CEO Bob Iger stated the Star Wars universe ‘offers a virtually limitless universe of characters and stories to drive continued feature film releases' and refers to "[i]ts universe of more than 17,000 characters inhabiting several thousand planets spanning 20,000 years offer[ing] infinite inspiration and opportunities’.  The only thing promising about this is Disney is obviously in the money making business, and the best way to do that with the next trilogy will be to promise fans a continuation of the characters they know and love after Return of The Jedi, which is possibly why at this early stage so much decision had been around the expanded Star Wars universe and the return of key characters.
Regardless of what the outcome is, Star Wars is a pop-culture phenomenon and Disney's acquisition of one of the most influential science-fiction saga of all time is no doubt an exhilarating and slightly terrifying occurrence, and for me personally, 2015 can't get here fast enough.

Saturday, 29 September 2012

2012 64th Primetime Emmy Awards Recap



Last week the 64th Primetime Emmy Awards were held, and despite my best efforts at predicting which shows and actors would take home a golden statue for their outstanding achievement in television, there were many surprising wins. Which was good, it added a much needed entertainment factor to the often long and dry affairs awards ceremonies tend to be. While many of my predictions were wrong, and even fewer were those I actually wanted to win, looking at the winners, it's good to see that the quality of television and acting was so good among all the nominees. Majority of the time I didn't mind that I had guessed incorrectly, or if my favourite show or actor lost, because it was easy to see the excellent quality of majority of the nominees. Overall, out of the ten categories I made predictions on, I only correctly guessed four, and there were only two categories in which a nominee I wanted to win actually won.

As for the ceremony itself, I always find it fun seeing television world collide when stars come together to do skits for events like this, but while the opening was fun, it could have been better. Jimmy Kimmell did fine as the host, and he most definitely has a touch of pompousness about him that really is necessary for hosts of shows like this to have. I couldn't help but feel a lot of the time though that Kimmell was given lines because he was the host and they had to give them to him. Having him introduce presenters with a usually not all that amusing one-liner just seems like a waste of time, and it goes on to cement my idea that perhaps award ceremonies shouldn't have hosts, or if they do, several of them, so that so producing the event don't feel as thigh they have to throw the host an unnecessary line because he hasn't been on screen in the last five minutes. I really could have done with more skits, and the only really funny one worth mentioning was Modern Family's candid look behind-the-scenes hilariously depicting how Aubrey Anderson-Emmons (who plays Lily on the show) terrorises her older cast members and makes work a living hell for them all.


I quite enjoyed the shorts of nominees being asked questions like how do you overcome writers block? (for outstanding writing for a drama series nominees) and several others similar to it. I wish that insight into the creative people behind the shows is fascinating and all the nominees should have been given the chance to answer questions like that (plus some of the answers were quite funny). As for the speeches, there were none to memorable, other than Julia Louis-Dreyfus and Amy Poehler's obviously planned yet still amusing speech mix up.


And it seems the producers were extremely erratic in deciding who long people would get to speak. The writers of Homeland, Alex Gansa,  Howard Gordon & Gideon Raff, were cut very short, while Julie Bowen of Modern Family was allowed to prattle on for a while. Here's a list of the major winners (again, not all of them, only the main ones which I know a bit about) and my thoughts on the outcomes (winners are highlighted in bold).

Outstanding Drama Series:
Boardwalk Empire (HBO)
Breaking Bad (AMC)
Downton Abbey (PBS)
Mad Men (AMC)
Homeland (Showtime)
Game of Thrones (HBO)

This is what I'm talking about. Other than Mad Men (which I tried to watch and think is incredibly overrated) and Game of Thrones (no where near anywhere as good as the other shows in this category), I would have been okay seeing any of these dramas win. Nice to have some fresh blood take the win after Mad Men's three consecutive years.

Outstanding Lead Actor in a Drama Series:
Steve Buscemi as Nucky Thompson, Boardwalk Empire (HBO)
Michael C. Hall as Dexter Morgan, Dexter (Showtime)
Bryan Cranston as Walter White, Breaking Bad (AMC)
Hugh Bonneville as Robert Crawley, Downton Abbey (PBS)
Jon Hamm as Don Draper, Mad Men (AMC)
Damian Lewis as Nicholas Brody, Homeland (Showtime)

The exact same thing can be said about this category, Damian Lewis got credit where credits due. If an actor can make American audiences sympathise with a terrorist, you know he's doing something right.

Outstanding Lead Actress in a Drama Series:
Julianna Margulies as Alicia Florrick, The Good Wife (CBS)
Michelle Dockery as Lady Mary Crawley, Downton Abbey (PBS)
Elisabeth Moss as Peggy Olson, Mad Men (AMC)
Kathy Bates as Harriet Korn, Harry's Law (NBC)
Claire Danes as Carrie Mathison, Homeland (Showtime)
Glenn Close as Patty Hewes, Damages (DirecTV)

Most deserving win of the night, it would have been a crime if Danes hadn't of won.

Outstanding Supporting Actor in a Drama Series:
Aaron Paul as Jesse Pinkman, Breaking Bad (AMC)
Giancarlo Esposito as Gustavo 'Gus' Fring, Breaking Bad (AMC)
Brendan Coyle as John Bates, Downton Abbey (PBS)
Jim Carter as Mr. Carson, Downton Abbey (PBS)
Jared Harris as Lane Pryce, Mad Men (AMC)
Peter Dinklage as Tyrion Lannister, Game Of Thrones (HBO)

I still would have liked Giancarlo Esposito to win, but it's nice to see something good happen to 'Jesse' for once.

Outstanding Supporting Actress in a Drama Series:
Archie Panjabi as Kalinda Sharma, The Good Wife (CBS)
Anna Gunn as Skyler White, Breaking Bad (PBS)
Maggie Smith as Dowager Countess of Grantham/ Violet, Downton Abbey (PBS)
Joanne Froggatt as Anna, Downton Abbey (PBS)
Christina Hendricks as Joan Holloway Harris, Mad Men (AMC)
Christine Baranski as Diane Lockhart, The Good Wife (CBS)

I like Maggie Smith as much as the next guy, but I think her prudish character/ performance of Downton Abbey is a bit overrated, although I haven't seen all of the nominees in action, so who am I to say she didn't deserve it?

Outstanding Comedy Series:
Curb Your Enthusiasm (HBO)
Girls (HBO)
30 Rock (NBC)
Veep (HBO)
Modern Family (ABC)
The Big Bang Theory (CBS)

Modern Family a solid comedy, so I have no qualms with it's win, even though I prefer to watch 30 Rock and The Big Bang Theory. Nice to see two new female-centric comedies in the mix, I might need to check them out.

Outstanding Lead Actor in a Comedy Series:
Larry David as Himself, Curb Your Enthusiasm (HBO)
Jon Cryer as Alan Harper, Two And A Half Men (CBS)
Louis C.K. as Louie, Louie (FX)
Jim Parsons as Sheldon Cooper, The Big Bang Theory (CBS)
Don Cheadle as Marty Kaan, House Of Lies (Showtime)
Alec Baldwin as Jack Donaghy, 30 Rock (NBC)

This one was a surprise. I'd say most of the other actors in this category were more deserving of the award, but it's nice to see Cryer get some praise after having to play second-fiddle to Charlie Sheen on a mediocre show for eight seasons.

Outstanding Lead Actress in a Comedy Series:
Zooey Deschanel as Jess Day, New Girl (FOX)
Lena Dunham as Hannah Horvath, Girls (HBO)
Edie Falco as Jackie Peyton, Nurse Jackie (Showtime)
Amy Poehler as Leslie Knope, Parks And Recreation (NBC)
Tina Fey as Liz Lemon, 30 Rock (NBC)
Julia Louis-Dreyfus as Selina Meyer, Veep (HBO)
Melissa McCarthy as Molly Flynn, Mike & Molly (CBS)

Again, the talent of all these nominees speaks for itself, it could have easily gone to anyone.

Outstanding Supporting Actor in a Comedy Series:
Ed O'Neill as Jay Pritchett, Modern Family (ABC)
Jesse Tyler Ferguson as Mitchell Pritchett, Modern Family (ABC)
Ty Burrell as Phil Dunphy, Modern Family (ABC)
Eric Stonestreet as Cameron Tucker, Modern Family (ABC)
Bill Hader as Various Characters, Saturday Night Live (NBC)
Max Greenfield as Schmidt, New Girl (FOX)

If a Modern Family actor had to win this (and I mean, who am I kidding, one of them had to, look at those odds), I wanted it to be Stonestreet, he plays a gay man so well. I really cannot wait to see Max Greenfield really show the rest of the world what he's made of, he's performance of Schmidt on New Girl is must see.

Outstanding Supporting Actress in a Comedy Series:
Mayim Bialik as Amy Farrah Fowler, The Big Bang Theory (CBS)
Merritt Wever as Zoey Barkow, Nurse Jackie (Showtime)
Julie Bowen as Claire Dunphy, Modern Family (ABC)
Kristen Wiig as various characters, Saturday Night Live (NBC)
Sofia Vergara as Gloria Delgado-Pritchett, Modern Family (ANC)
Kathryn Joosten as Karen McCluskey, Desperate Housewives (ABC)

Again, could have gone to anyone, although I wish it had been Vergara over Bowen.

Thanks for reading. What was your favourite/ least favourite part of the 64th Primetime Emmy Awards? Happy with the winners? Let me know in the comments.

Sunday, 23 September 2012

My 2012 Emmy Predictions


Here are my picks for the 2012 Emmy's, who I think will take home the prize, and who I think should.

Outstanding Drama Series:
Boardwalk Empire (HBO)
Breaking Bad (AMC)
Downton Abbey (PBS)
Mad Men (AMC)
Homeland (Showtime)
Game of Thrones (HBO)

Who I Want to Win: Boardwalk Empire does what a lot of these nominated shows do well. It's based in the past and effectively portrays stories relevant to the present, has a distinct visual style, an anti-hero as a protagonist, and an incredible ensemble cast who each have their own story to tell. It's the combination of all these aspects together that make it so good.
Who I Think Will Win: It arguably had it's best season to date, so Breaking Bad.

Outstanding Lead Actor in a Drama Series:
Steve Buscemi as Nucky Thompson, Boardwalk Empire (HBO)
Michael C. Hall as Dexter Morgan, Dexter (Showtime)
Bryan Cranston as Walter White, Breaking Bad (AMC)
Hugh Bonneville as Robert Crawley, Downton Abbey (PBS)
Jon Hamm as Don Draper, Mad Men (AMC)
Damian Lewis as Nicholas Brody, Homeland (Showtime)

Who I Want to Win: Although I don't think Breaking Bad is the best drama on television, there's no doubt in my mind that Bryan Cranston's Walter White is the best character on television, and Cranston goes above and beyond to portray him.
Who I Think Will Win: Bryan Cranston.

Outstanding Lead Actress in a Drama Series:
Julianna Margulies as Alicia Florrick, The Good Wife (CBS)
Michelle Dockery as Lady Mary Crawley, Downton Abbey (PBS)
Elisabeth Moss as Peggy Olson, Mad Men (AMC)
Kathy Bates as Harriet Korn, Harry's Law (NBC)
Claire Danes as Carrie Mathison, Homeland (Showtime)
Glenn Close as Patty Hewes, Damages (DirecTV)

Who I Want To Win: As much as I love Glenn Close as strong-willed and manipulative Patty Hewes, Claire Danes proved all she's worth as bi-polar CIA agent Carrie Mathison.
Who I Think Will Win: Claire Danes.

Outstanding Supporting Actor in a Drama Series:

Aaron Paul as Jesse Pinkman, Breaking Bad (AMC)
Giancarlo Esposito as Gustavo 'Gus' Fring, Breaking Bad (AMC)
Brendan Coyle as John Bates, Downton Abbey (PBS)
Jim Carter as Mr. Carson, Downton Abbey (PBS)
Jared Harris as Lane Pryce, Mad Men (AMC)
Peter Dinklage as Tyrion Lannister, Game Of Thrones (HBO)

Who I Want To Win: It's hard to go up against Bryan Cranston on screen and outdo him, but Giancarlo Espostio did just that in the last season of Breaking Bad.
Who I Think Will Win: Giancarlo Espostio.

Outstanding Supporting Actress in a Drama Series:
Archie Panjabi as Kalinda Sharma, The Good Wife (CBS)
Anna Gunn as Skyler White, Breaking Bad (PBS)
Maggie Smith as Dowager Countess of Grantham/ Violet, Downton Abbey (PBS)
Joanne Froggatt as Anna, Downton Abbey (PBS)
Christina Hendricks as Joan Holloway Harris, Mad Men (AMC)
Christine Baranski as Diane Lockhart, The Good Wife (CBS)

Who I Want To Win: Unfortunately I've only seen Breaking Bad and Downton Abbey, so from those nominations, Anna Gunn (although I think her performance this season as Skyler will be more worthy on an Emmy next year).
Who I Think Will Win: I hear Christina Hendricks year.

Outstanding Comedy Series:
Curb Your Enthusiasm (HBO)
Girls (HBO)
30 Rock (NBC)
Veep (HBO)
Modern Family (ABC)
The Big Bang Theory (CBS)

Who I Want to Win: I only watch 30 Rock, Modern Family and The Big Bang Theory, and based on their last seasons, I want 30 Rock to win.
Who I Think Will Win: Modern Family seems to have dominated this category since it's debut.

Outstanding Lead Actor in a Comedy Series:
Larry David as Himself, Curb Your Enthusiasm (HBO)
Jon Cryer as Alan Harper, Two And A Half Men (CBS)
Louis C.K. as Louie, Louie (FX)
Jim Parsons as Sheldon Cooper, The Big Bang Theory (CBS)
Don Cheadle as Marty Kaan, House Of Lies (Showtime)
Alec Baldwin as Jack Donaghy, 30 Rock (NBC)

Who I Want to Win: Alec Baldwin continues to make 30 Rock the show it is.
Who I Think Will Win: And so does Jim Parsons.

Outstanding Lead Actress in a Comedy Series:
Zooey Deschanel as Jess Day, New Girl (FOX)
Lena Dunham as Hannah Horvath, Girls (HBO)
Edie Falco as Jackie Peyton, Nurse Jackie (Showtime)
Amy Poehler as Leslie Knope, Parks And Recreation (NBC)
Tina Fey as Liz Lemon, 30 Rock (NBC)
Julia Louis-Dreyfus as Selina Meyer, Veep (HBO)
Melissa McCarthy as Molly Flynn, Mike & Molly (CBS)

Who I Want To Win: I only watch New Girl and 30 Rock, but neither lead role is outstanding, so I'd be happy to see anyone win, perhaps Amy Poehler since she is yet to get an accolade.
Who I Think Will Win: Possibly one of leads of HBO's freshmen comedies, lets say Julia Louis-Dreyfus.

Outstanding Supporting Actor in a Comedy Series:
Ed O'Neill as Jay Pritchett, Modern Family (ABC)
Jesse Tyler Ferguson as Mitchell Pritchett, Modern Family (ABC)
Ty Burrell as Phil Dunphy, Modern Family (ABC)
Eric Stonestreet as Cameron Tucker, Modern Family (ABC)
Bill Hader as Various Characters, Saturday Night Live (NBC)
Max Greenfield as Schmidt, New Girl (FOX)

Who I Want To Win: Max Greenfield upstaged Zooey Deschanel, and made New Girl a much better show.
Who I Think Will Win: As with Jim Parsons, Ty Burrell seems to have this category in the bag.

Outstanding Supporting Actress in a Comedy Series:
Mayim Bialik as Amy Farrah Fowler, The Big Bang Theory (CBS)
Merritt Wever as Zoey Barkow, Nurse Jackie (Showtime)
Julie Bowen as Claire Dunphy, Modern Family (ABC)
Kristen Wiig as various characters, Saturday Night Live (NBC)
Sofia Vergara as Gloria Delgado-Pritchett, Modern Family (ANC)
Kathryn Joosten as Karen McCluskey, Desperate Housewives (ABC)

Who I Want To Win: Modern Family gets a lot of critical acclaim, and the show owes a large part to Sofia Vergara's efforts, so I hope she gets it.
Who I Think Will Win: But Julie Bowen probably will.

I apologise for not previewing the entire list of categories, but my knowledge of the shows represented in them is limited and I didn't want to make any predictions without having seen majority of the programs, although I do hope Jessica Lange wins for Outstanding Supporting Actress in a Mini-series or Movie, American Horror Story, FX. Tune back later in the week for my full review of the Emmy's and my thoughts on all the winners and losers.

Wednesday, 8 August 2012

Awkward Episode Recap & Review 2.6: What Comes First Sex or Love?


Awkward has the difficult task of portraying life through the first person of a teenage girl. As is bound to happen with a protagonist such as this, sometimes the show finds itself being brought down by Jenna's teenage girl dilemma's, particularly this week when she is uncertain about what to do after Jake has told her he loves her, and she doesn't know how she feels.

It certainly doesn't help that those Jenna should turn to for help in figuring this out aren't the best people to receive advice from. Lacey's best friend Ali is back in town with a ring on her finger, and despite the fact Ali is one of the worst human beings ever who calls Jenna 'little bitch', Jenna, for some reason, decides that's a good place to start looking for friendly advice. Of course all she gets is that her new Uncle, named Dan, has enough money to get her breast implants. That's very helpful.

Meanwhile, Sadie continues her affair with Ricky Schwartz despite telling him that she doesn't do band geeks. He's infatuated with her, and she wants none of it but a little tonsil attention (maybe he now knows how Tamara feels?). As usual, she's hilarious at simultaneously berating him and wanting his attention at the same time.

Jenna's  friends aren't helpful either, basically telling her that if the feelings aren't there that she should break up with Jake. And again, why would Jenna listen to them? Tamara has an unhealthy obsession for a boy that constantly cheats on her, and Ming hasn't even been on a single date, yet somehow knows she's in love with Frank. Ah, teenage girls. Anyway, talking to Tamara makes Jenna realises she knew she loved Matty after they had sex (really Jenna? You think whether or not you love someone is dependent on sex?). And so starts Jenna's plan to have sex with Jake, but as with all things involving Jenna it goes horribly wrong and she announces her wishes to have sex over the school PA system.

So now not only is Tamara being labelled Tinkerbell in the school halls for peeing her pants on last weeks episode, but Jenna is now a slut that can't keep it in her pants. Both girls take it surprisingly well, and Tamara, as always, holds her own hilariously against the taunts. Matty jokingly offers Jenna some advice, and is surprisingly nice about it. No wonder Jenna is confused. Matty is a good guy. Anyway, she momentarily convinces herself that because Matty and her are friends her feelings for him are resolved (yes, I'm sure that's the end of that) so now all she has to worry about is Jake.

Jake is eager to have the sex (that's how kids speak, right?) but now Jenna's not so sure. She doesn't want sex to have a lasting affect on how she feels about him either way, and while her Mum's yoga class inspires Jake to take her home to do the deed, Ali seems to have inadvertently done a nice thing and convince Lacey and Val to stay home and drink instead. Luckily for Jake he leaves before things gets truly awkward. Val is a terrible drunk, and what is meant to be funny comes across as just plain disturbing. If that wasn't enough Sadie shows up to collect her soon-to-be aunt Ali (I didn't see that coming) and watches as Ali monologues about whether or not she can sleep with Dan for his money (of course she can) and Lacey burst into tears when the possibility of Kevin not returning home is discussed. This inspires Sadie to reconsider Ricky's advancements and I loved a chance to see a different side of Sadie this episode, struggling with the fact that someone actually like her for who she is is not something she is used to.

Later, Lacey apologises to Jenna in her room, and tells her what I sort of wish someone had told her at the beginning of the episode: that your first time with someone, whether or not you're in love, should be special. Apparently this is an invitation for Jenna who immediately calls Jake and says she'll bring the condoms. How considerate. They meet, and Jake has pimped out his Mum's minivan to make the occasion special, and knowing that Jake is after something special just as much as he is, Jenna pulls him into the van.

Rating: 2.5/5

True Blood Recap & Review 5.9: Everybody Wants To Rule The World


At the vampire Authority, the group watches the news which reports that the largest Tru Blood factory in the world has been destroyed. In celebration, they feast on a man tied to their table.
Molly tries to leave compound and finds that it is in lock down, meaning nobody is allowed to leave. Eric approaches her and asks her if there is any way that they can escape.

Sookie enlists Lafayette to help figure out who the vampire spirit Warlow is, and he ends up getting a message from Sookie's grandmother: that what she's looking for she's lying on top of. Sookie finds a box of Gran's old things under her bed and as her and Lafayette search through it she discovers from an old newspaper clipping that Sheriff Bud was the one who found her parents bodies. Sookie goes to Bud's house to see if he knows anything, and Sookie reads his mind and becomes aware he's hiding something. She questions him about Warlow and finds he doesn't know anything, and then large woman hits Sookie over the head with a frying pan and tells Bud to grab her body.

At the police station Jessica tells them that Hoyt is not apart of the supernatural hate group and that he tried to save her from them. She tells Jason that she's worried something has happened to him and he promises to find him for her. Deputy Kevin Ellis finds a website that Junior frequented called 'Keep America Human', on which are videos of the hate group in their Obama masks tying vampires to posts in daylight. On the video they chant long live the Dragon and Andy is reminded of Cleetus Boathouse, a former Klansman who died 20 years ago, who went by that name. Andy and Jason wonder who the new Dragon might be.

Terry leaves home and tells Arlene that he is going to find Patrick. Arlene begs him not to go for her sake and their children, but he tells her that they have to have a fair fight, and that they're the only reason he's fighting.

At Fangtasia Tara walks into Pam's office with four boxes of Tru Blood. Pam asks her what she is doing and Tara says that they have to start reserving their stock now that the Tru Blood factories have been destroyed. Pam tells her that they will keep selling to stop their vampire customer feeding off of their human customers and puting them out of business. She says that when they run out and they'll just have to pretend they're still drinking it to keep up appearances.

Eric confronts Bill and tells him his Pro-Lilith facade isn't going to fool Salome much longer. Bill informs him it's not an act, and that he believes in Lilith, but Eric reminds him that he is a true mainstreamer, and that his relationship with Sookie is proof of that. Eric tells him that they need to escape the next day by procuring Salmoe's blood to open the security doors.

Andy addresses the press about the hate group but can't reveal too much about the investigation. As he concludes his statement Sam and Luna arrive at the station and tell Andy they went back to the basement and got the scent of pigs. While Andy appreciates their help he tells them they're in danger and that they should go home and let him do his job. Irritated, Sam and Luna turn themselves into flies so that they can wait in the station overhear any developments about the case. Later, Andy notices one of the member in the hate group video is wearing the cowboy boots Bud was given at his retirement party, and they believe Bud is the dragon. Jason and Andy break into Bud's place and Jason remembers that Bud's wife's family owned a pig farm.

As Alcide drives he has a flashback to being a teenager. He's being taught by his father what it means to be a werewolf and the importance of being in a pack. A group of young wolves, including Alcide are given the option of choosing their human or wolf side as they go forward in life, and they all choose pack. In the present we see Alcide is driving to Jackson.

Arlene opens up Merlotte's and is confronted by Patrick who holds her at gunpoint. He tells her to ring all the employees and tell them that they are closed, and that he won't kill her if she does what he says. Terry arrives at Merlotte's and finds Patrick sitting in a booth with his gun at Arlene's head. Terry wants the fair fight, but Patrick says he's wife's pregnant and that he has to kill Terry for his family. Terry gets down on his knees and puts his hands behind his head so that he doesn't hurt Arlene. Patrick pushes her away and is about to shoot Terry when Arlene stabs him in the neck with a hairpin. The two men scuffle, and Patrick gains the upper hand, but Arlene retrieves the gun and points it at Patrick's head.

While in bed together, Salome tells Bill that they are chosen to bring about a new world. Bill asks her what if he didn't want to be chose, and she tells him that SOMETHING. They begin having sex and Bill sees her as Sookie and bites her until she dies. He then sees her as Lilith, before he again sees her as Salome. He has bitten her and has her blood in his mouth.

Sookie awakens tied up in a pigpen, and she sees Hoyt lying in the one across from her. Bud and the other members of the hate group confront Sookie, and he tells her that when he was Sheriff there were hundreds of unclosed cases due to supernatural beings and that something has to be done about them. The large woman that hit Sookie, Sweetie, boasts that they are doing what is right and are taking back America from the supernatural beings, and reveals herself as the Dragon. They then force Sookie to drink some ginger ale laced with oxycontin, planning to let her and Hoyt be eaten by the pigs. Before they can put Sookie into the pen with them though, Sam, who had shifted into a pig, shifts back and takes on the hate group. Sweetie runs away, and Andy and Jason arrive. Andy pulls his gun on Bud, and when Bud makes a move at Sam with his shovel Andy shoots him in the chest. Luna chases down Sweetie and beats her. After Hoyt is taken to hospital and all the group members are arrested, Sam and Luna decide to go get Emma.

Terry has his gun pointed out Patrick, and Arlene tells him he has to kill Patrick for their family. Patrick tells Terry that the reason they're in this situation is because Terry blindly followed orders, and that he needs to do what is right. The Iraqi woman appears telling him the same thing, and he shoots Patrick. The Irqai woman says that blood has been paid with blood, and summons the Irift which appears and takes Patrick's body.

Russell decides to show Steve his wolf pack. Russell tells him of their undying loyalty as pets, and Steve laments he never had a pet. They walk into a barn and Russell congratulates JD on becoming pack master. He then proceeds to bite his own wrist and the wolves flock to him for a drop of his blood. He notices Martha there, who is holding Emma. When Martha says she'll never drink from Russell, he grabs Emma and gives her to Newlin as his first pet.

In Jackson, Alcide arrives at his father's trailer. His father is watching a horse race and Alcide asks him how much money he put on the race. When he says he's entire pension check, Alcide scolds him, but then reveals that that is not why he is there. He tells his father that he lost pack master and has been abjured. He is now a lone wolf just like his father.

At Fangtasia, Pam sees a vampire sitting on Eric's throne while feeding on a human. She confronts him and tells him that it's prohibited to feed on humans in the bar, and that only the sheriff can sit on the throne. He replies that the Vampire Authority has lifted the ban on public feeding, and that Eric is finished, and that he is the new sheriff of Area 5. He throws Pam across the room, and Tara runs to help her. The vampire tells all the other vampires in the bar to drink from the humans.

Back at home, Sookie is visited by the faeries who tell her vampires are responsible for the Tru Blood factory explosions and that they want to take over the world.

Eric tells Nora that he wants to believe in Lilith but has difficulty doing so, and Eric asks her if she will help him. He takes her to the main foyer, and Molly arrives. The pair drug and Nora and are about to escape, but Eric wants to wait for Bill. He arrives and Molly proceeds to open the security doors, but Bill has betrayed them and Salome is standing in the elevator with several guards who handcuff Eric and Molly. Eric is seething, and Bill tells him he has been chosen by Lilith.

Rating: 3/5