Showing posts with label The CW. Show all posts
Showing posts with label The CW. Show all posts

Sunday, 9 June 2013

A Look at The CW's New Dramas (2013-2014)

Reign

The CW's Pitch: Hidden between the lines of the history books is the story of Mary Stuart, the young woman the world would come to know as Mary, Queen of Scots. Queen of Scotland since she was six days old, the teenage Mary is already a headstrong monarch - beautiful, passionate, and poised at the very beginning of her tumultuous rise to power. Arriving in France with four close friends as her ladies-in-waiting, Mary has been sent to secure Scotland’s strategic alliance by formalizing her arranged engagement to the French king's dashing son, Prince Francis. But the match isn't signed and sealed: it depends more on politics, religion and secret agendas than affairs of the heart. Prince Francis is intrigued by the fiery Scot, but like most young men, he resists the idea of settling down into marriage, especially when he has a history with a lady of the court and his own point of view on the wisdom of an alliance with Scotland. Still, an attraction between Mary and Francis is ignited. Further complicating things is Bash, Francis' roguish half-brother, who has a history of his own - despite his illegitimate birth, Bash is his father's favorite. And now that Bash has caught Mary's eye, a royal triangle may be forming. While at French Court, fierce foes and dark forces conspire to sabotage Mary’s marriage to Francis and even threaten her life, until a mysterious shrouded guide becomes her ally. With danger and sexual intrigue around every dark castle corner, Mary rallies her ladies-in-waiting and steels herself, ready to rule the new land and balance the demands of her country and her heart.


My Thoughts: While it remains to be seen how historically accurate the series plans to be, the romantic, political, and supernatural elements of the show make it look quite intriguing. I might watch.

Star-Crossed

The CW's Pitch: When Emery was 6 years old, an alien spacecraft crash-landed in her small town. Whether they came in peace or with more sinister intentions didn’t matter: a fierce battle erupted as humans fought for control over their new rivals, an alien species called the Atrians. In the midst of the conflict, Roman, a 6-year-old Atrian boy, found his way to a shed behind Emery’s house, where she protected him from harm, bringing him food, comfort – and friendship. In their brief time together, Emery and Roman forged a deep bond, but the authorities wasted no time tracking Roman down and capturing him in a violent confrontation. Emery has grown up believing that Roman was killed that day. Ten years later, the Atrians have been acclimated to life on Earth, but they are interned in a heavily-guarded camp known as the Sector to keep them separate from humans. Now, for the first time, a group of Atrian teens will enroll in a suburban human high school, with the goal of testing the feasibility of human/alien integration. The eyes of the nation and the whole world are fixed on this historical social experiment, an endeavor fraught with suspicion and fear. In the mayhem of the first day, Emery is amazed to learn that Roman was not killed by the authorities and is, in fact, one of the Atrian students. Their childhood bond is quickly rekindled – in a school and a society that distrusts everything about the Atrians, Emery and Roman have found each other again. However, their relationship is threatened by the small-mindedness of their respective communities and the political agendas of people in power. While the world around them rages with anger and prejudice, their bond becomes increasingly strong and increasingly dangerous. As an epic Romeo and Juliet romance unfolds, a violent encounter between Roman’s father and Emery’s father occurs in the Sector. Can Roman and Emery’s love – and peace between the species – survive?


My Thoughts: The themes the show expresses are very unsubtle, and the romantic relationship between the two leads, as well as the tension between the humans and the aliens has all been done before. I won't be watching.

The 100

The CW's Pitch: Ninety-seven years ago, nuclear Armageddon decimated planet Earth, destroying civilization. The only survivors were the 400 inhabitants of 12 international space stations that were in orbit at the time. Three generations have been born in space, the survivors now number 4,000, and resources are running out on their dying "Ark" - the 12 stations now linked together and repurposed to keep the survivors alive. Draconian measures including capital punishment and population control are the order of the day, as the leaders of the Ark take ruthless steps to ensure their future, including secretly exiling a group of 100 juvenile prisoners to the Earth's surface to test whether it's habitable. For the first time in nearly a century, humans have returned to planet Earth. Among the 100 exiles are Clarke, the bright teenage daughter of the Ark's chief medical officer; Wells, son of the Ark’s Chancellor; the daredevil Finn; and the brother/sister duo Bellamy and Octavia, whose illegal sibling status has always led them to flaunt the rules. Technologically blind to what’s happening on the planet below them, the Ark’s leaders - Clarke’s widowed mother, Abby; the Chancellor, Jaha; and his shadowy second in command, Kane - are faced with difficult decisions about life, death and the continued existence of the human race. For the 100 young people on Earth, however, the alien planet they’ve never known is a mysterious realm that can be magical one moment and lethal the next. With the survival of the human race entirely in their hands, THE 100 must find a way to transcend their differences, unite and forge a new path on a wildly changed Earth that’s primitive, intense and teeming with the unknown.


My Thoughts: It will be interesting to see where this goes after the pilot. but a large cast, and enough plots should keep it interesting. I'll be watching.

The Originals:

The CW's Pitch: Family is power. The Original Vampire family swore it to each other a thousand years ago. They pledged to remain together, always and forever. Now, centuries have passed and the bonds of family are broken. Time, tragedy and hunger for power have torn the Original Family apart. When Klaus Mikaelson, the original vampire-werewolf hybrid, receives a mysterious tip that a plot is brewing against him in the supernatural melting pot that is the French Quarter of New Orleans, he returns to the city his family helped build. Klaus’ questions lead him to a reunion with his diabolical former protégé, Marcel, a charismatic vampire who has total control over the human and supernatural inhabitants of New Orleans. Determined to help his brother find redemption, Elijah follows Klaus and soon learns that the werewolf Hayley has also come to the French Quarter searching for clues to her family history, and has fallen into the hands of a powerful witch named Sophie. Tensions between the town’s supernatural factions are nearing a breaking point as Marcel commands his devoted followers and rules with absolute power. For Klaus, the thought of answering to his powerful protégé is unthinkable, and he vows to reclaim what was once his – the power, the city and his family. While they wait to see if their sister Rebekah will leave Mystic Falls and join them, Klaus and Elijah form an uneasy alliance with the witches to ensure that New Orleans will be ruled by The Originals once again.


My Thoughts: The feud between the two leads could be interesting, and with the witch and family subplot could have enough to keep it going. I'll be watching.

The Tomorrow People:

The CW's Pitch: They are the next evolutionary leap of mankind, a generation of humans born with paranormal abilities — the Tomorrow People. Stephen Jameson stands at the crossroads between the world we know and the shifting world of the future. Up until a year ago, Stephen was a “normal” teenager — until he began hearing voices and teleporting in his sleep, never knowing where he might wake up. Now, Stephen’s issues have gone far beyond the usual teenage angst, and he is beginning to question his sanity. In desperation, Stephen decides to listen to one of the voices in his head, and it leads him to his first encounter with the Tomorrow People — John, Cara and Russell — a genetically advanced race with the abilities of telekinesis, teleportation and telepathic communication. The Tomorrow People are being hunted down by a paramilitary group of scientists known as Ultra. Led by Dr. Jedikiah Price, Ultra sees the Tomorrow People as a very real existential threat from a rival species, and the outcast group has been forced to hide out in an abandoned subway station just beneath the surface of the human world. Trading in secrets, Jedikiah offers Stephen the chance for a normal life with his family and best friend, Astrid, if he will help in the struggle to isolate and eradicate the Tomorrow People. On the other hand, Cara, John and Russell offer Stephen a different type of family and a home where he truly belongs. Unwilling to turn his back on humanity or the world of the Tomorrow People, Stephen sets out on his own path — a journey that could take him into the shadowy past to uncover the truth about his father’s mysterious disappearance, or into an unknown future with The Tomorrow People.


My Thoughts: The premise is worn, but a serialised show like this always has potential. I might watch.

Thursday, 28 June 2012

Why is The CW failing?


I stumbled across a thread titled this a couple of days ago on a television website I often frequent. It was discussing how The CW, one of the five commercial American television networks, has the worst ratings out of those five networks. Interestingly enough, this topic was started back in 2008, and The CW doesn't seem at all to be in a better position in the ratings than it was back then, but then again, it hasn't crashed and burned either.

Everyone has an opinion as to why The CW is having difficulties and before I add mine I thought I should say that I'm 21 years old, and male. While I live in Australia, if I lived in America, I've no doubt The CW would be the channel I watched the most. I watch Supernatural, The Vampire Diaries and Nikita, and until they were cancelled I watched The Secret Circle and Ringer, too. Hell, if I lived in America and watched The CW enough they could probably even convince to me watch shows like The L.A. Complex, and I would have checked out Melrose Place too.


Anyway, enough about my bad taste in television. I would say the demographic is the major problem, as many others have said. According to Wikipedia it's '18-35 year olds'. It doesn't specify gender, but women are the obvious answer. So how to get young women to watch The CW? Well they've got the programming down pat in my opinion. Personally, I think the problem is that young people just don't watch as much TV as they used to, and if they do, they're on their computer while watching the television, or god forbid, watching television on the computer. So the idea would be more online interactive content. Facebook, Twitter, games, competitions etc. Honestly I don't really know because I'm old fashioned and I'm scared of computers and change, so anyone else have any ideas?

A lot of people have said that that The CW doesn't promote its older and more established shows in comparison to its advertising and support for its newer ones. As I don't live in America, I can't comment, but even if they do this, it wouldn't really surprise me. As they are focused on such a young demographic if a show ends up going for longer than three years, chances are, viewers that were interested in the show at the beginning of the series may have grown-up and moved on, lost interest, or just no longer find the time for television. This is why I could understand The CW being hesitant in promoting its older shows. Why advertise a show past its prime that's constantly losing viewers (or at least it is in their eyes) when you can heavily advertise a new show that will encapsulate the hearts of new young television viewers? In this scenario, as much as it pains me, I understand why they might have cancelled shows like Veronica Mars.

The CW is a result of a merger that occured between the WB and UPN networks in the fall of 2006, one of the primary reasons for that merger supposedly being that neither network could get as high ratings as the other netowrks because they were vying for the same audience and therefore cancelled each other out of the competition. While in theory merging the two networks into The CW solves that problem, in today's TV market The CW is most definitely not the only channel of its kind. ABC Family has shows like The Secret Life of The American Teenager, Pretty Little Liars & The Lying Game, all of which I could see on The CW (as well as previous shows like 10 Things I Hate About You, Greek, Kyle XY & The Nine Lives of Chloe King). And at the moment MTV seem to have started to fast develop a similar sort of demographic with shows like Teen Wolf and Awkward (previously The Hard Time of RJ Berger).

Maybe in an attempt to extend their demographic The CW could take a leaf out of MTV's book, and produce more mature or possibly even risqué, programming content if it would get them more viewers. Nikita and Supernatural would have to be the two shows currently on the network that could break into other demographics, and Ringer could be seen as off brand too, but The CW hasn't tried all that hard to branch out as yet. Possibly there safest bet to do this would be to have shows that mothers and daughters could watch together, in the vein of Gilmore Girls, in an attempt to spread their age bracket a bit higher (just forget trying to get males in at this stage, they've got enough problems as is). Unfortunately I can't see any of The CW's fall or mid-season shows making more mature aged content, although Cult looks very promising.


Another suggestion would be to bring back comedies! I couldn't believe from doing research on this piece  that Dawn Ostroff, The CW's former President, 'publicly declared the difficulty of doing comedies for their target demographic'. What??? Everyone loves a comedy. Yes, a lot of sitcoms nowadays are hit and miss, but I could see something like What I Like About You (an old example, I know) doing really well on the network. Plus, sitcoms are something families can watch.

I was interested to see that The Bill Cunningham Show is going to The CW. While I have never seen or heard of the show before I think this is a very good move if The CW do it right. The network needs something, not necessarily national news or sports programming, but something else that's factual/ informative/ topical that their younger viewers can enjoy, while gaining older viewers, as this is the sort of stuff everyone can watch (and does). I was going to suggest a couple of shows, or variances of, that we have here in Australia that might work. There's one called The Project which is basically a news/ current affairs program, but it's hosted by a panel of comedians/ journalists and they often have celebrity guests. They present a really laid-back approach to the news that's easily accessible to all ages. There's also shows like The Gruen Transfer and Hungry Beast (which analyse commercials/ media and its effects on audiences) and The Chaser's War on Everything (which is a satire of news and politics. Much like Stephen Colbert I'd imagine). It looks like with Bill Cunningham The CW are testing the waters, so I hope it works out for them, otherwise they could try and go for something less serious in a talk show like Rove or Chelsea Lately.

Also, why does The CW not have programming on Sunday's? This seems like a majorly wasted opportunity. I'm not exactly sure how it works over there, but do they have any programming at all on Sundays? Or just nothing original? And if they have nothing original on, well why the hell not???

So do you watch The CW? Why/ why not? And what do you think the network needs to do to achieve better ratings?

Tuesday, 22 May 2012

A Look AT The CW's New Dramas (2012 - 2013)

Arrow

The CW's pitch: After a violent shipwreck, billionaire playboy Oliver Queen was missing and presumed dead for five years before being discovered alive on a remote island in the Pacific. When he returns home to Starling City, his devoted mother Moira, much-beloved sister Thea, and best friend Tommy welcome him home, but they sense Oliver has been changed by his ordeal on the island. While Oliver hides the truth about the man he's become, he desperately wants to make amends for the actions he took as the boy he was. Most particularly, he seeks reconciliation with his former girlfriend, Laurel Lance. As Oliver reconnects with those closest to him, he secretly creates the persona of Arrow—a vigilante—to right the wrongs of his family, fight the ills of society, and restore Starling City to its former glory. By day, Oliver plays the role of a wealthy, carefree and careless philanderer he used to be—flanked by his devoted chauffeur/bodyguard, John Diggle—while carefully concealing the secret identity he turns to under cover of darkness. However, Laurel's father, Detective Quentin Lance, is determined to arrest the vigilante operating in his city. Meanwhile, Oliver's own mother, Moira, knows much more about the deadly shipwreck than she has let on—and is more ruthless than he could ever imagine.


My Thoughts: There's not much to go on here, and viligante justice is always interesting, but will this just be an attempt to replicate Smallville's success? I don't think I'll be watching.

Beauty and the Beast

The CW's pitch: Detective Catherine Chandler is a smart, no-nonsense homicide detective. Several years earlier, Catherine witnessed the murder of her mother at the hands of two gunmen. Catherine would have been killed too, but someone—or something—saved her. No one has ever believed her, but she knows it wasn't an animal that attacked the assassins...it was human. Years have passed, and Catherine is a strong, confident, capable police officer, working alongside her equally talented partner, Tess. While investigating a murder, Catherine discovers a clue that leads her to a handsome doctor named Vincent Keller, who was reportedly killed by enemy fire while serving in Afghanistan in 2002. Catherine learns that Vincent is actually still alive and that it was he who saved her many years before. For mysterious reasons that have forced him to live outside of traditional society, Vincent has been in hiding for the past 10 years to guard his secret—when he is enraged, he becomes a terrifying beast, unable to control his super-strength and heightened senses. Catherine agrees to protect his identity in return for any insight he may have into her mother's murder. Thus begins a complex relationship between Catherine and Vincent, who are powerfully drawn to each other yet understand that their connection is extremely dangerous for both of them.


My Thoughts: Another attempt to contemporise old fairy tales with a gritty urban setting. It might be okay, but I won't be watching.

Emily Owens, M.D.

The CW's pitch: At long last, Emily Owens feels like she is an actual grown-up. She can finally put her high school days as the geeky-girl-with-flop-sweats behind her; she's graduated from medical school and is now a first-year intern at Denver Memorial Hospital, where she'll have the chance to work with world-famous cardiologist Dr. Gina Beckett—and where, not-so-coincidentally, her med-school crush Will Rider is also an intern. So why does everyone keep warning her that the hospital is just like high school? Emily soon finds out the hard way—her high school nemesis, the gorgeous, popular Cassandra Kopelson, is also just starting out at Denver Memorial, and it seems like they're rivals all over again—not only as surgical interns, but for Will's attention. Fellow intern Tyra Granger warns Emily that the cliques at Denver Memorial are all too familiar: the jocks have become orthopedic surgeons; the mean girls are in plastics; the rebels are in the ER, and Tyra has her own awkward place as the principal's kid—her father is the chief resident. Emily's the new kid all over again, and it's just as awkward as high school. Only this time around, Emily will have to balance the personal and emotional turmoil of social politics with the high-stakes world of life-and-death medical decisions. At least she has fellow intern Tyra and nerdy-but-cute resident Micah, to count on as friends. Emily is growing to realize that although she may be a geek, she may also grow to be a great doctor, flop sweats and all.


My Thoughts: Emily's inner-monologue annoys me already, and I'm not sure how much awkward fish-out-of-water fare I can handle in a medical drama. I won't be watching.

When The CW releases a trailer for its other dramas, Cult and The Carrie Diaries, which are set to debut mid season, I will post my thoughts here.