Showing posts with label TV as Art. Show all posts
Showing posts with label TV as Art. Show all posts
Sunday, 16 February 2014
TV Screenshot: Carl takes a moment to enjoy the finer things in life on The Walking Dead
Welcome to the first of what I hope are many posts highlighting what I personally find to be some of the more memorable or visually appetising moments from television and film. As a fan of the medium I often find myself screen-shoting scenes from television shows and movies that stand out among the rest to save as my desktop wallpaper on my personal computer, and through this blog I'll be sharing them with you.
To start things off is a moment from The Walking Dead mid-season premiere, 'After', that aired this week. The Walking Dead is not an inherently upbeat show. Obviously it deals with the a post-apocalyptic situation in which majority of the worlds population are zombies and the series follows the lives of those who seem to survive and fight their inevitable fates. This moment in particular, finds Carl Grimes enjoying an entire 112 ounce tin of chocolate pudding all to himself. Despite the fact that his father is lying comatose in a house nearby, or the fact he once again just wandered off unnecessarily and almost got eaten by the walker reaching out from the window behind him (he got his shoe, not Carl) the moment is a simply joyous one of a young boy experiencing the joy of unhealthy food. The walker's arm protruding from the window remains a remain of the dangers that are constantly present within Carl's world. But there are just some simple joys of life that no one, not even a zombie apocalypse can take away from you, and Carl enjoying a tin of pudding all to himself in this scene proves that to us.
Monday, 14 May 2012
That Moment In Television
What was that moment in television, for you, when TV became more than just something to do while you ate dinner? Or when you had nothing better to do? That moment in which you fell in love with a TV show. When a mild interest turned into a flew-blown obsession. It may have been something that made you laugh hysterically. Or cry uncontrollably. Or it may have been an unexpected plot twist. Or the first time instead of just watching TV, what you were watching actually made you stop for a second and think. I think all hardcore television fans, whether they solely adore one single show, or many, has had one of these moments. Today I’m going to share mine with you, and how this moment shaped my love affair with television.
The scene in question I’m going to be discussing is from the season two episode of Buffy the Vampire Slayer titled ‘Passion’. It also involves the death of a character and therefore spoilers. Anyway, Buffy was the first (adult) television show I religiously watched (sorry, Scooby-Doo!). I was very very young at the time, eight or nine if I recall correctly. My parents watched it occasionally, but it was when my Dad brought me home the first season on VHS (oh, those were the days) when I really started to get into it. Once season two started I was taping it every week. I don’t really know what would inspire an eight-year old to be enthralled by a show like Buffy, but all I can think of is that it was genre defying. It had something for everyone. It was science-fiction/ fantasy, but it was also action, horror, comedy, drama and romance as well, plenty of things to keep me entertained.
Angel, Buffy’s vampire boyfriend, has lost his soul after having a moment of pure happiness with her, and reverted to his true vampire self, Angelus. Jenny Calendar, an IT teacher at Sunnydale high, has been revealed as a descendant of the gypsy tribe that cursed Angel initially. As a member of that tribe she was advised to impede Buffy and Angel’s relationship to ensure Angel didn’t lose his soul. Obviously, she fails, and when her role in the events is revealed to Buffy and the others she becomes estranged from their close-knit group. Desperate to undo her wrongs, Jenny tries to translate the ancient curse using her computer to re-install Angel’s soul. As she completes this one night late at school Angel reveals himself in the shadows destroys the translation and then her computer.
Although I young I remember thinking that because Jenny was a main character on Buffy, that she couldn’t die. As she was running for her life through the deserted halls of Sunnydale high, throwing cleaning carts in front of a rabid Angelus in an attempt to stop him, I was thinking: she’s going to get away, somehow she’ll escape. Oh, how wrong I was. It’s strange how even at such a young age I had become unconsciously aware of basic storytelling rules and conventions. I had read enough books, and watched enough television and movies, to understand that good is supposed to triumph over evil, and that generally doesn’t involve heroes dying. Not that I thought no one died at all. I was aware that plenty of nameless faces often lost their lives in good versus evil tales. In fact Angelus had already killed innocent women who happened to be hanging out in dark alleys or walking home by themselves at the wrong time. It wasn’t that I thought on one would died, just not Jenny. Because Jenny wasn’t a nameless face. She was an important character who had been in Buffy since its first season. She had helped Buffy fight against the forces of darkness; she had had a relationship with Giles. She was someone audiences knew, which is probably why it had such an impact on me when Angelus snapped her neck.
So that was the moment watching television changed for me, because I had to stop and think: wait a second, they can’t do that! But Joss Whedon and Co. did. They defied a standard rule and convention of ‘traditional’ television and snapped its neck, and didn’t care what anyone thought of it. One may argue that there are a lot of far superior ways in which Whedon has disregarded and broken standard storytelling rules and conventions over his career, but this will always be the defining one for me. The one that made me realise the good storytelling, good television, is daring, shocking and defies logic.
So now it’s fair to say I love unpredictable television. Procedurals bore me because they follow a strict set of rules and conventions, I live for television that pushes to break these rules and take audiences out of their comfort zones. So here’s to Whedon and Co. for this moment in television.
What does everyone else think? Have you seen this episode? Think it’s worth mentioning? Feel free to tell me your defining television moment, I would very much love to hear them.
Subscribe to:
Comments (Atom)
